"In I Vesperis: Antiphona. Gloria laudis resonet" by Etienne de Liège, Psallentes, Hendrik Vanden Abeele was released on 2006. With In I Vesperis: Antiphona. Gloria laudis resonet being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 20 in De Liège: In festo sanctissimae trinitatis by Etienne de Liège, Psallentes, Hendrik Vanden Abeele. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. In terms of popularity, In I Vesperis: Antiphona. Gloria laudis resonet is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of In I Vesperis: Antiphona. Gloria laudis resonet by Etienne de Liège, Psallentes, Hendrik Vanden Abeele is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 5/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Meddley: Defte Lai (Byzantine Chant XIII C.), Aksion Estin [Byzantine Chant XV C.], Hristos Anesti [Byzantine Traditional Chant] | The Chamber Choir of St. Peter Cetinje Seminary, Mihajlo Lazarević | E Major | 3 | 12B | 82 BPM | ||
Prochimen Sa Nu Intorci Fata Ta / Prokeimenon Do Not Hide Your Face from Me | Byzantion | E♭ Major | 2 | 5B | 135 BPM | ||
Graduale: Benedicta et venerabilis | Anonyme, Psallentes, Clari Cantuli | B Major | 1 | 1B | 110 BPM | ||
Alleluja - Justus Germinabit - I modo | Schola Gregoriana Mediolanensis & Giovanni Vianini | A♭ Major | 1 | 4B | 162 BPM | ||
Troparion of Pentecost - Nikola the Serb, XV C. | The Chamber Choir of St. Peter Cetinje Seminary, Mihajlo Lazarević | E Major | 3 | 12B | 82 BPM | ||
Sequentia: Veni, Sancte Spiritus, Modo I | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | G Major | 0 | 9B | 129 BPM | ||
Requiem | Pope Gregorius, Ensemble de Venasque | D Major | 1 | 10B | 79 BPM | ||
Missa In Dedicatione Ecclesiae. Ad Laudes: Agnus Dei, Modo II | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | F♯ Major | 0 | 2B | 109 BPM | ||
Agnus Dei | Pope Gregorius, Ensemble de Venasque | B♭ Major | 1 | 6B | 108 BPM | ||
Gaude, mater Polonia (Polish, 13th century) | Early Music New York | F Major | 1 | 7B | 70 BPM |
Section: 0.5179643630981445
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