"Six Preludes For Cello And Piano: II. Con Moto" by Leo Ornstein, Randall Hodgkinson, Joshua Gordon had its release date on January 1, 2007. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Leo Ornstein, Joshua Gordon, Randall Hodgkinson's "Leo Ornstein: Complete Works For Cello And Piano" album is number 2 out of 14. On top of that, United States appears to be the country where this track was created. Six Preludes For Cello And Piano: II. Con Moto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Six Preludes For Cello And Piano: II. Con Moto by Leo Ornstein, Randall Hodgkinson, Joshua Gordon to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Polish Theme, Op. 10: No. 1 Meno mosso | Karol Szymanowski, Martin Roscoe | F♯ Minor | 1 | 11A | 68 BPM | ||
Tchaikovsky: Valse-scherzo, Op. 7 | Pyotr Ilyich Tchaikovsky, Aurélien Pontier | F Minor | 0 | 4A | 72 BPM | ||
Elegia | Aldo Melli, Carlo Balzaretti | A Major | 1 | 11B | 133 BPM | ||
Sucinto | João Marcondes, Camerata Inaugural | F Major | 3 | 7B | 100 BPM | ||
Gymnopédie No. 1 | Erik Satie, Wolfgang Emanuel Schmidt | C Minor | 0 | 5A | 73 BPM | ||
Images, Deuxième série, L. 111: No. 1, Cloches à travers les feuilles | Claude Debussy, Saskia Giorgini | B Minor | 1 | 10A | 63 BPM | ||
なき王女のためのパヴァーヌ | Maurice Ravel, Bruno Rigutto | G Major | 0 | 9B | 69 BPM | ||
La caixinha de música quebrada, W256 | Heitor Villa-Lobos, Wilhem Latchoumia | B Minor | 3 | 10A | 62 BPM | ||
Song 2 No Words | Leo Ornstein, Lorin Jones-Stubbs | E Minor | 1 | 9A | 88 BPM | ||
24 Preludes, Op. 28: No. 7 in A Major. Andantino | Frédéric Chopin, Garrick Ohlsson | G Major | 0 | 9B | 70 BPM |