Dialogues des Carmelites, FP 159: Act III Scene 1: Il y a une seule opposition (Mere Marie, Mathilde, Constance, L'Aumonier) - Francis Poulenc, Jean-Philippe Lafont, Sally Matthews, Yann Beuron, Deborah Polaski, Heidi Brunner, Michelle Breedt, Hendrickje van Kerckhove, Magdalena Anna Hofmann, Christa Ratzenböck, Jürgen Sacher, Matjaz Robavs, Erik Arman, Craig Smith, Dominik Koninger, Nenad Marinkovic, Arnold Schoenberg Chor, Vienna Radio Symphony Orchestra, Bertrand de Billy Information

"Dialogues des Carmelites, FP 159: Act III Scene 1: Il y a une seule opposition (Mere Marie, Mathilde, Constance, L'Aumonier)" by Francis Poulenc, Jean-Philippe Lafont, Sally Matthews, Yann Beuron, Deborah Polaski, Heidi Brunner, Michelle Breedt, Hendrickje van Kerckhove, Magdalena Anna Hofmann, Christa Ratzenböck, Jürgen Sacher, Matjaz Robavs, Erik Arman, Craig Smith, Dominik Koninger, Nenad Marinkovic, Arnold Schoenberg Chor, Vienna Radio Symphony Orchestra, Bertrand de Billy was released on February 7, 2012. The duration of Dialogues des Carmelites, FP 159: Act III Scene 1: Il y a une seule opposition (Mere Marie, Mathilde, Constance, L'Aumonier) is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Dialogues des Carmelites, FP 159: Act III Scene 1: Il y a une seule opposition (Mere Marie, Mathilde, Constance, L'Aumonier)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 55 in the song's album "Poulenc: Dialogues des Carmélites". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Germany. Dialogues des Carmelites, FP 159: Act III Scene 1: Il y a une seule opposition (Mere Marie, Mathilde, Constance, L'Aumonier) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Dialogues des Carmelites, FP 159: Act III Scene 1: Il y a une seule opposition (Mere Marie, Mathilde, Constance, L'Aumonier) BPM

With Dialogues des Carmelites, FP 159: Act III Scene 1: Il y a une seule opposition (Mere Marie, Mathilde, Constance, L'Aumonier) by Francis Poulenc, Jean-Philippe Lafont, Sally Matthews, Yann Beuron, Deborah Polaski, Heidi Brunner, Michelle Breedt, Hendrickje van Kerckhove, Magdalena Anna Hofmann, Christa Ratzenböck, Jürgen Sacher, Matjaz Robavs, Erik Arman, Craig Smith, Dominik Koninger, Nenad Marinkovic, Arnold Schoenberg Chor, Vienna Radio Symphony Orchestra, Bertrand de Billy having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.

Dialogues des Carmelites, FP 159: Act III Scene 1: Il y a une seule opposition (Mere Marie, Mathilde, Constance, L'Aumonier) Key

C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.