"Requiem Songs (Version for Voice & Orchestra): No. 2, Dies irae" by David Conte, Ann Moss, Kay Stern, Douglas Rioth, San Francisco Conservatory Orchestra, Eric Dudley was released on August 17, 2018. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 23 in Everyone Sang: Vocal Music of David Conte by David Conte, Various Artists, Marika Kuzma, Nicole Paiement, Eric Dudley. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Requiem Songs (Version for Voice & Orchestra): No. 2, Dies irae is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem Songs (Version for Voice & Orchestra): No. 2, Dies irae by David Conte, Ann Moss, Kay Stern, Douglas Rioth, San Francisco Conservatory Orchestra, Eric Dudley is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 9: IX. In Paradisum | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | F♯ Major | 0 | 2B | 128 BPM | ||
Speak to My Heart | Jakarta Oratorio Society | E Major | 5 | 12B | 132 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": VIII. Andante con moto. "Nun danket alle Gott" | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius, Kammerchor Stuttgart | G Major | 2 | 9B | 81 BPM | ||
The Pilgrim Pavement | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra, Carys Lane, Ian Watson, Richard Hickox Singers | C Minor | 1 | 5A | 123 BPM | ||
Love | Community Women's Orchestra, David Conte, Dr Kathleen McGuire | F Major | 3 | 7B | 82 BPM | ||
グレゴリオ聖歌による4つのモテット作品10よりトータ・プルクラ・エス御身はすべてが美しくあり給う Quatre Motets sur des thémes grégoriens, Op. 10 II. Tota pulchra es | Girl Choristers, Sarah Baldock Conductor, Lay Clerks of Winchester Cathedral | G Minor | 0 | 6A | 64 BPM | ||
Panis Angelicus - Bonus Track | Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss | F♯ Major | 1 | 2B | 81 BPM | ||
Pastoralka I - From Jacek Bromski's Movie "In God's Little Garden", Orchestrated by Krzysztof Herdzin | Poznan boys choir, Jacek Sykulski, Henri Seroka Orchestra, Henri Seroka | B Minor | 2 | 10A | 87 BPM | ||
Open Our Eyes | Will C. MacFarlane, The Choir of St. Thomas, Fifth Avenue, New York, Judith Hancock, Gerre Hancock | F♯ Major | 0 | 2B | 80 BPM | ||
Four Songs of Love: II. Until the Daybreak | Sven-David Sandström, South Dakota Chorale, Brian A. Schmidt | A♭ Major | 0 | 4B | 137 BPM |
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