Leoš Janáček, Lucia Popp, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras made "The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 3: Bezi liska Táboru" available on January 1, 1982. With The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 3: Bezi liska Táboru being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Leoš Janáček, Lucia Popp, Dalibor Jedlicka, Wiener Philharmoniker, Sir Charles Mackerras's "Janácek: The Cunning Little Vixen" album is number 2 out of 31. The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 3: Bezi liska Táboru is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 3: Bezi liska Táboru by Leoš Janáček, Lucia Popp, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
Nisi Dominus, RV 608 - Arr. Cello: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Bach, JS: Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, David Fray | G Major | 0 | 9B | 76 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
String Quartet No. 12 in F Major, "American", Op. 96: II. Lento | Antonín Dvořák, Chilingirian Quartet | D Minor | 0 | 7A | 87 BPM | ||
3 Etudes Opus 104b: No. 1 in B-Flat Minor | Felix Mendelssohn, Bertrand Chamayou | B♭ Minor | 1 | 3A | 52 BPM | ||
Ich ruf zu dir, Herr Jesu Christ, No. 5, BWV 639 | Johann Sebastian Bach, Murray Perahia | G Minor | 3 | 6A | 122 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM |
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