Ludwig van Beethoven, Rudolf Buchbinder made "Beethoven: Bagatelle No. 25 in A Minor, WoO 59 "Für Elise"" available on September 10, 2012. The duration of Beethoven: Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Beethoven: Bagatelle No. 25 in A Minor, WoO 59 "Für Elise"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 209 in Beethoven : The Complete Works for Solo Piano by Ludwig van Beethoven, Rudolf Buchbinder. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Beethoven: Bagatelle No. 25 in A Minor, WoO 59 "Für Elise"'s popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Beethoven: Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" by Ludwig van Beethoven, Rudolf Buchbinder is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 16 Children's Songs, Op. 54: No. 10, Lullaby in a Storm | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantine Orbelian, Moscow Chamber Orchestra | D Minor | 0 | 7A | 89 BPM | ||
Violin Concerto in A Minor, BWV 1041: II. Andante | Johann Sebastian Bach, Kolja Blacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | C Major | 1 | 8B | 74 BPM | ||
Sonatina in F Major, Anh. 5, No. 2: I. Allegro | Diane Hidy & Keith Snell | F Major | 1 | 7B | 105 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Jean-Rodolphe Kars | E♭ Minor | 0 | 2A | 73 BPM | ||
Mélodie, Op. 20, No. 1 | Alexander Glazunov, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 84 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre | Karoly Botvay | D♭ Minor | 0 | 12A | 88 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Chopin: Nocturne No. 1 in B-Flat Minor, Op. 9 No. 1 | Frédéric Chopin, Elisabeth Leonskaja | D♭ Major | 0 | 3B | 202 BPM |
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