"Ruffles Call from Afar" by Yo Goto, North Texas Wind Symphony, Eugene Migliaro Corporon was released on January 1, 2014. Ruffles Call from Afar appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "North Texas Wind Symphony: Offerings". In this album, this song's track order is #4. Based on our statistics, Ruffles Call from Afar's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ruffles Call from Afar by Yo Goto, North Texas Wind Symphony, Eugene Migliaro Corporon having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Centaur | Derek M. Broadbent, The Britannia Building Society Band & Howard Snell, Howard Snell | D Major | 1 | 10B | 144 BPM | ||
Pathfinder of Panama | John Philip Sousa, Royal Artillery Band, Keith Brion | B♭ Major | 3 | 6B | 116 BPM | ||
Excerpts from Dreigroschenoper: Ouverture I | Kurt Weill, Christian Lindberg, Prince of Denmark Air Force Band | B Major | 1 | 1B | 114 BPM | ||
Symphony No. 1 "Land of the Free": IV. Sins of Inaction | Christopher Schmitz, London Symphony Orchestra, Stefan Sanderling | D Minor | 1 | 7A | 89 BPM | ||
Little Ballet Music: VI. Marche de Kermesse | Richard Flury, Nuremberg Symphony Orchestra, Paul Mann | E♭ Major | 6 | 5B | 126 BPM | ||
Rigoletto, Act I: "Questa o quella" (Arr. E. Kunzel & C. Beck) | Giuseppe Verdi, Cincinnati Pops Orchestra, Erich Kunzel | A♭ Major | 1 | 4B | 116 BPM | ||
栄光の全てに | James Swearingen, フィルハーモニック・ウインズ 大阪 | E♭ Major | 2 | 5B | 62 BPM | ||
Dialogue Continued: Movement 1 | Faye-Ellen Silverman, Ann Ellsworth, Lisa Albrecht, Andrew Bove, Bruno Eicher, Kari Jane Docter, David Jolley, Michael Lipsey, Jeanne Corinne Goffi-Fynn, Jo Williamson, Mary Barto | C Major | 0 | 8B | 64 BPM | ||
Spirit of Time | Otto M. Schwarz, Koninklijke Fanfare Kempenbloei Achel, Ivan Meylemans | C Minor | 1 | 5A | 129 BPM | ||
Clutch (Live) | Andrew David Perkins, Keller High School Wind Ensemble, Mark McGahey | B♭ Major | 7 | 6B | 121 BPM |
Section: 0.5919904708862305
End: 0.59629225730896