"Préludes, Book 1, CD 125: IV. Les sons et les parfums tournent dans l'air du soir" by Claude Debussy, Lívia Rév had its release date on February 1, 1995. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 48 in Debussy: Piano Music by Claude Debussy, Lívia Rév. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Préludes, Book 1, CD 125: IV. Les sons et les parfums tournent dans l'air du soir is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Préludes, Book 1, CD 125: IV. Les sons et les parfums tournent dans l'air du soir by Claude Debussy, Lívia Rév is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prélude à l'après-midi d'un faune, L. 86 - Transcription pour deux pianos (1895) - Pt. 3 | Claude Debussy, Philippe Cassard, François Chaplin | A♭ Minor | 0 | 1A | 75 BPM | ||
Caixinha de música quebrada, W256 | Heitor Villa-Lobos, Cristina Ortiz | A♭ Major | 1 | 4B | 45 BPM | ||
Goldberg Variations, BWV 988: Var. 25. a 2 Clav. Adagio | Johann Sebastian Bach, Tatiana Nikolayeva | G Minor | 0 | 6A | 70 BPM | ||
Variations: Piano Alone | John Harbison, Daniel Blumenthal, Janine Jansen, Lars Wouters van den Oudenweijer, Spectrum Concerts Berlin | E Major | 2 | 12B | 68 BPM | ||
Sonata romantica in B-flat Minor, Op. 53, No. 1: III. Meditazione : Andante con moto | Nikolai Medtner, Benjamin Bertin | F♯ Minor | 0 | 11A | 72 BPM | ||
Studies for Pedal Piano, Op. 56: No. 3 in E Major | Robert Schumann, Claude Debussy, Daniela Ballek, Agathe Wanek | E Major | 0 | 12B | 92 BPM | ||
I. Augenblick | Valentin Silvestrov, Alexei Lubimov | E Minor | 0 | 9A | 74 BPM | ||
Divertimento: II. Lento | Leo Smit, Onyx Klavierduo | C Major | 0 | 8B | 105 BPM | ||
Oblivion - piano four hands | Ad Parnassum Piano Duo, Astor Piazzolla arr. Biagio Lo Cascio | A Minor | 3 | 8A | 172 BPM | ||
Années de pèlerinage I, Suisse, S. 160: VII. Eglogue | Franz Liszt, Stephen Hough | D Major | 1 | 10B | 90 BPM |