"Orchestral Suite No. 3 in D Major, BWV 1068: Air" by London Philharmonic Orchestra was released on May 24, 2011. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "The Greatest Relaxing Pieces". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Sweden. Orchestral Suite No. 3 in D Major, BWV 1068: Air is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orchestral Suite No. 3 in D Major, BWV 1068: Air by London Philharmonic Orchestra having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavatina | Craig Ogden | E Major | 1 | 12B | 79 BPM | ||
Mahler: Symphony No. 8, "Symphony of a Thousand": II. Finale Scene from Goethe's Faust, (l) "Alles Vergängliche" (Chorus Mysticus) | Gustav Mahler, Elizabeth Connell/Edith Wiens/Dame Felicity Lott/Trudeliese Schmidt/Nadine Denize/Richard Versalle/Jorma Hynninen/Hans Sotin/London Philharmonic Choir/Tiffin School Boys' Choir/London Philharmonic Orchestra/Klaus Tennstedt, Klaus Tennstedt, London Philharmonic Orchestra | E♭ Major | 2 | 5B | 71 BPM | ||
Bagatelle No. 25 in a Minor, WoO 59 : "Für Elise" | Rik | D♭ Major | 0 | 3B | 64 BPM | ||
4th Movement: Allegro Con Fuocho | London Philharmonic Orchestra | E Minor | 1 | 9A | 140 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM | ||
Harp Concerto in A major: 3. Rondeau: Allegretto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | A Major | 1 | 11B | 97 BPM | ||
Impromptu No. 3 in G-Flat Major, Op.90, D 899 | Clare Hammond | F♯ Major | 0 | 2B | 175 BPM | ||
The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): III. Presto | Karoly Botvay | G Major | 3 | 9B | 137 BPM | ||
Vivaldi: Le quattro stagioni (The Four Seasons), Op. 8: Violin Concerto No. 3 in F Major, RV 293, "L'Autunno". II. Adagio molto | Antonio Vivaldi, Itzhak Perlman, London Philharmonic Orchestra | C Major | 0 | 8B | 86 BPM | ||
Orchestral Suite No.2 in B minor, BWV1067 - Badinerie | CHA Medical Center | B Minor | 2 | 10A | 116 BPM |
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