Giuseppe Verdi, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge's 'La traviata / Act 2: Avrem lieta di maschere la notte...Di Madridi' came out on January 1, 1980. Since La traviata / Act 2: Avrem lieta di maschere la notte...Di Madridi is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Verdi: La Traviata by Giuseppe Verdi, Dame Joan Sutherland, Luciano Pavarotti, Matteo Manuguerra, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge. The song's track number on the album is #1 out of 24 tracks. Based on our statistics, La traviata / Act 2: Avrem lieta di maschere la notte...Di Madridi's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since La traviata / Act 2: Avrem lieta di maschere la notte...Di Madridi by Giuseppe Verdi, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge has a tempo of 122 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With La traviata / Act 2: Avrem lieta di maschere la notte...Di Madridi being at 122 BPM, the half-time would be 61 BPM with a double-time of 244 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suor Angelica: Il principe Gualtiero vostro padre | Giacomo Puccini, Christa Ludwig, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | E Major | 1 | 12B | 98 BPM | ||
Messa da Requiem: IIb. Sequence. Tuba mirum - IIc. Mors stupebit | Giuseppe Verdi, Georg Zeppenfeld, Sächsischer Staatsopernchor Dresden, Staatskapelle Dresden, Christian Thielemann | D♭ Minor | 2 | 12A | 112 BPM | ||
Norma / Act 2: Mira, o Norma | Vincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | E♭ Major | 1 | 5B | 108 BPM | ||
Norma / Act 1: Norma viene | Vincenzo Bellini, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 79 BPM | ||
Lakmé / Act 1: A l'heure accoutumée | Léo Delibes, Jane Berbié, Emile Belcourt, Gabriel Bacquier, Monte Carlo Opera Choir, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | F♯ Major | 1 | 2B | 77 BPM | ||
Don Carlos, Act I: Act I Scene 1: Dio, che nell'alma infondere (Don Carlo, Rodrigo, Un frate, Chorus) | Giuseppe Verdi, José Carreras, Piero Cappuccilli, Luigi Roni, Vienna State Opera Chorus, Vienna State Opera Orchestra, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | ||
Suor Angelica: Senza mamma, o bimbo, tu sei morto | Giacomo Puccini, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | F Major | 1 | 7B | 84 BPM | ||
La fille du régiment / Act 1: Au bruit de la guerre | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 120 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | ||
La forza del destino, Act II, Scene I: Padre Eterno, Signor, pietà di noi! | Giuseppe Verdi, Dinara Alieva, Anna Maria Chiuri, Cristiano Olivieri, Tiziano Tassi, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | G Major | 1 | 9B | 100 BPM |
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