Núria Espert made "Nocturn Per a Acordió (Joan Salvat-Papasseit)" available on May 3, 1967. With Nocturn Per a Acordió (Joan Salvat-Papasseit) being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 11 in Els Poetes Expliquen la Catalunya Moderna by Núria Espert. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Based on our statistics, Nocturn Per a Acordió (Joan Salvat-Papasseit)'s popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Nocturn Per a Acordió (Joan Salvat-Papasseit) by Núria Espert is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Airs de cour mis en tablature de luth: Si c’est un crime que l’aymer | Antoine Boësset, Les Musiciens De Saint-Julien, François Lazarevitch, Julie Roset | B♭ Major | 2 | 6B | 113 BPM | ||
Diferencias sobre la Gallarda Milanesa (arr. for instrumental ensemble) | Antonio de Cabezón, Accentus Ensemble, Thomas Wimmer | E Major | 1 | 12B | 130 BPM | ||
Como No Le Andaré Yo ? (Anonymous) | Jordi Savall, Anonymous | D♭ Major | 3 | 3B | 114 BPM | ||
Livre de danceries, Book 4: Pavane: La Venissienne - Quart Livre de Danceries | Claude Gervaise, Estampie, Graham Derrick | F Minor | 4 | 4A | 148 BPM | ||
De lamentatione Jeremiae prophetae, T. 171 "Lamentations": V. Defixae sunt in terra portae eius | William Byrd, The Gesualdo Six, Owain Park | D♭ Minor | 1 | 12A | 134 BPM | ||
Chanson à la vierge | Gautier De Coincy, Les musiciens de Provence, Maurice Guis | A Minor | 0 | 8A | 78 BPM | ||
The Seas Are Deep | Ronn McFarlane | D♭ Minor | 1 | 12A | 50 BPM | ||
Cantus Caravaggio IV « In Memoriam » (Jordi Savall) | Matthias Spaeter, Pierre Hamon, Jordi Savall | G Minor | 0 | 6A | 78 BPM | ||
Elend, du hast umfangen mich | Traditional, Ars Choralis Coeln, Maria Jonas, Elisabeth Seitz, Johanna Seitz | D Minor | 1 | 7A | 71 BPM | ||
Rifkale | Núria Espert | A♭ Major | 2 | 4B | 180 BPM |
Section: 0.5829579830169678
End: 0.5884389877319336