"Transcendental Symphony Part II. Scherzo: 'Ancient China'" by Taipei New Dynasty Philharmonic & Chorus was released on 2005. Transcendental Symphony Part II. Scherzo: 'Ancient China' appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Ritzen: Heavenly Peace Transcendental Symphony (World Premiere Recording)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Taiwan. In terms of popularity, Transcendental Symphony Part II. Scherzo: 'Ancient China' is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Transcendental Symphony Part II. Scherzo: 'Ancient China' by Taipei New Dynasty Philharmonic & Chorus having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Fontani di Roma, P. 106: II. La fontana del Tritone al mattino | Ottorino Respighi, Minnesota Orchestra, Antal Doráti | C Major | 2 | 8B | 77 BPM | ||
Gayane Suite No. 3: V. Solo - Love Duet | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D Major | 3 | 10B | 175 BPM | ||
Run Hermes | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM | ||
Fauré: Pavane, Op. 50 (Version with Chorus) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | F♯ Minor | 0 | 11A | 78 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
Pictures at an Exhibition: The Great Gate of Kiev | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 93 BPM | ||
War Requiem, Op. 66: ix. Dies Irae - Recordare Iesu pie | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | G Major | 0 | 9B | 130 BPM | ||
Stars Above Us | León van der Stadt | E♭ Major | 1 | 5B | 74 BPM | ||
Immolation (With Our Lives, We Give Life) | John Williams, Boston Symphony Orchestra | F Major | 0 | 7B | 86 BPM | ||
Les Noces, Première partie, Premier tableau: Chez le marié | Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Susan Parry, Vsevolod Grivnov, Maxim Mikhailov, Daniel Reuss | E♭ Major | 1 | 5B | 131 BPM |
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