"Symphony No.1 in E minor, Op.1: 1. Largo assai - Allegro" by Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi was released on January 1, 1988. Since Symphony No.1 in E minor, Op.1: 1. Largo assai - Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "Rimsky-Korsakov: The Complete Symphonies; Russian Easter; Capriccio es". In this album, this song's track order is #1. In terms of popularity, Symphony No.1 in E minor, Op.1: 1. Largo assai - Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No.1 in E minor, Op.1: 1. Largo assai - Allegro by Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Coppélia / Tableau 3: No. 20 Fête de la cloche: 7a) La paix | Léo Delibes, Ron Golan, Orchestre de la Suisse Romande, Richard Bonynge | F Major | 2 | 7B | 81 BPM | ||
Fantasia on Serbian Themes, Op. 6 | Nikolai Rimsky-Korsakov, Moscow Symphony Orchestra, Igor Golovschin | D Major | 0 | 10B | 69 BPM | ||
A Dante Symphony, S.109: Alternative conclusion (Text: Dante Alighieri) | Franz Liszt, Choeur de la section artistique du Collège Voltaire & L'atelier choral de Genève, Jesús López-Cobos, Orchestre de la Suisse Romande | E Major | 3 | 12B | 80 BPM | ||
String Sextet In A Major: IV. Andante Expressivo | Wiener Streichsextett, Nikolai Rimsky-Korsakov | E Major | 1 | 12B | 74 BPM | ||
The Maid of Pskov: Overture | Nikolai Rimsky-Korsakov, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 2 | 3B | 100 BPM | ||
Capriccio Espagnol: Fandango asturiano | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | A Major | 4 | 11B | 68 BPM | ||
Tannhauser, Act II: Entrance of the Guests | Richard Wagner, Slovak Philharmonic, Michael Halasz | B Major | 1 | 1B | 125 BPM | ||
The Miserly Knight: Scene 2: In a cellar (Largo) | Sergei Rachmaninoff, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 1 | 11B | 81 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17f, Presto | Alexander Borodin, Leonard Bernstein, New York Philharmonic | B♭ Major | 4 | 6B | 106 BPM | ||
Le Rouet d'Omphale, Op. 31 | Camille Saint-Saëns, Neeme Järvi, Royal Scottish National Orchestra | F Major | 1 | 7B | 69 BPM |
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