Nicol Matt, Jens Wollenschläger, Nordic Chamber Choir, Soloists Of The Freiburger Barockorchester, Martina Rotbauer, Heike Hümmer, Johann Sebastian Bach, Ute Petersilge, Robert Sagasser, Jörg Halobek's 'Helft Mir Gott's Güte Preisen, Cantate Bwv 183' came out on March 28, 2007. With Helft Mir Gott's Güte Preisen, Cantate Bwv 183 being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Helft Mir Gott's Güte Preisen, Cantate Bwv 183 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Helft Mir Gott's Güte Preisen, Cantate Bwv 183 by Nicol Matt, Jens Wollenschläger, Nordic Chamber Choir, Soloists Of The Freiburger Barockorchester, Martina Rotbauer, Heike Hümmer, Johann Sebastian Bach, Ute Petersilge, Robert Sagasser, Jörg Halobek is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elias, Op. 70: Teil I: Hilf, Herr! | Felix Mendelssohn, Thomas Hengelbrock | E♭ Major | 0 | 5B | 87 BPM | ||
Passionsoratorium: O Seele, deren Sehnen aus heil'gen Augen weint (Chorus) | Johann Ernst Bach, Barbara Schlick, David Cordier, Christoph Prégardien, Stephen Varcoe, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | F♯ Minor | 1 | 11A | 78 BPM | ||
Concerto Grosso Op. 6 No. 4: I. Adagio - Allegro | Arcangelo Corelli, Verità Baroque, Guglielmo Dandolo Marchesi, Eugenia Ottaviano, Bartolomeo Dandolo Marchesi | D♭ Major | 4 | 3B | 130 BPM | ||
Concerto in D Major for Two Oboes and Strings, Op. 7 No. 8: I. No Tempo Indication | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Chamber Orchestra, Nicol Matt | D Major | 3 | 10B | 108 BPM | ||
Elias, Op. 70: Teil II: Wer bis an das Ende beharrt | Felix Mendelssohn, Thomas Hengelbrock | F Major | 1 | 7B | 67 BPM | ||
Iphigenie en Aulide, Act II: Gavotte (arr. J. Brahms): Gavotte | Christoph Willibald Gluck, Johannes Brahms, Janos Sebestyen | D Major | 1 | 10B | 117 BPM | ||
Sonata a cinque in D Major, (G. 7): V. Allegro | Giuseppe Torelli, Thomas Hammes, European Chamber Soloists, Nicol Matt | D Major | 3 | 10B | 121 BPM | ||
Elias, Op. 70: Part II: Wer bis an das Ende beharrt (No. 32 Chorus) | Felix Mendelssohn, Karl-Friedrich Beringer | D Major | 3 | 10B | 100 BPM | ||
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 65: No. 1, "Verzicht, o Herz auf Rettung" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | A Minor | 2 | 8A | 155 BPM | ||
Nisi Dominus, Psalm 126 (127) HWV 238: 1. Nisi Dominus | George Frideric Handel, Orchestra of Westminster Abbey, Simon Preston, The Choir Of Westminster Abbey | F♯ Major | 2 | 2B | 78 BPM |
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