"Salve Regina, R.616 (Antiphona): 2. "Ad te clamamus" (Allegro)" by Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer was released on January 1, 2000. With Salve Regina, R.616 (Antiphona): 2. "Ad te clamamus" (Allegro) being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Nisi Dominus; Concerto for Strings & Continuo in F etc. by Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer. The song's track number on the album is #25 out of 29 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Salve Regina, R.616 (Antiphona): 2. "Ad te clamamus" (Allegro) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Salve Regina, R.616 (Antiphona): 2. "Ad te clamamus" (Allegro) by Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer has a tempo of 111 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Salve Regina, R.616 (Antiphona): 2. "Ad te clamamus" (Allegro) being at 111 BPM, the half-time would be 56 BPM with a double-time of 222 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 1/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 48: Pie Jesu | Gabriel Fauré, Collegium Vocale Gent, Johannette Zomer, La Chapelle Royale, Philippe Herreweghe | B♭ Major | 0 | 6B | 83 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Miserere: Symphonie | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B Minor | 1 | 10A | 166 BPM | ||
Salve Regina in F minor: 1. Salve Regina | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | A Minor | 1 | 8A | 93 BPM | ||
Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: Here The Deities Approve | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B♭ Minor | 2 | 3A | 105 BPM | ||
Vespers of 1610: Nisi Dominus | Claudio Monteverdi, The Sixteen, Harry Christophers | B♭ Major | 1 | 6B | 87 BPM | ||
Cantata per la Notte del SS.mo Natale: "All'arme si accesi guerrieri" (Aria dell Pace) | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | D♭ Major | 5 | 3B | 121 BPM | ||
Purcell: Funeral Sentences: In the Midst of Life, Z. 17A | Henry Purcell, John Eliot Gardiner, The Monteverdi Choir, Equale Brass Ensemble, Monteverdi Orchestra | C Minor | 1 | 5A | 67 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610: VI. Esurientes | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Deborah Norman, Sarah Fox, Stephen Cleobury | A Major | 2 | 11B | 100 BPM | ||
Idaspe: Ombra fedela anch'io (Air de Dario) | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Major | 0 | 3B | 71 BPM |
Section: 0.6085050106048584
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