Fourteen Pieces for Flute and Piano, Op. 157b: VII. Beau soir (Large)
Charles Koechlin, Toon Fret, Veronika Iltchenko
Origins
1:48 November 23, 2018
BPM
74
Key
A Minor
Camelot
8A

Embed

Share Link

Fourteen Pieces for Flute and Piano, Op. 157b: VII. Beau soir (Large) - Charles Koechlin, Toon Fret, Veronika Iltchenko Information

Acousticness
99%
Danceability
18%
Energy
1%
Instrumentalness
84%
Liveness
7%
Loudness
50%
Speechiness
5%
Valence
18%
Popularity
Loudness
-30.015 dB

Summary

"Fourteen Pieces for Flute and Piano, Op. 157b: VII. Beau soir (Large)" by Charles Koechlin, Toon Fret, Veronika Iltchenko was released on November 23, 2018. With Fourteen Pieces for Flute and Piano, Op. 157b: VII. Beau soir (Large) being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 40 in the song's album "Origins". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Belgium. Fourteen Pieces for Flute and Piano, Op. 157b: VII. Beau soir (Large) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Fourteen Pieces for Flute and Piano, Op. 157b: VII. Beau soir (Large) BPM

With Fourteen Pieces for Flute and Piano, Op. 157b: VII. Beau soir (Large) by Charles Koechlin, Toon Fret, Veronika Iltchenko having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.

Fourteen Pieces for Flute and Piano, Op. 157b: VII. Beau soir (Large) Key

A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
2 Pieces: No. 1. The Moon by Benjamin Britten, Matthew Jones, Annabel Thwaite2 Pieces: No. 1. The MoonBenjamin Britten, Matthew Jones, Annabel ThwaiteG Major19B87 BPM
Schwanengesang, D. 957: No 4, Ständchen (Arr. for Arpeggione, Guitar and Fortepiano by Martin Zeller) by Franz Schubert, Martin Zeller, Giorgio Paronuzzi, Víctor Castillo LunaSchwanengesang, D. 957: No 4, Ständchen (Arr. for Arpeggione, Guitar and Fortepiano by Martin Zeller)Franz Schubert, Martin Zeller, Giorgio Paronuzzi, Víctor Castillo LunaD Major010B109 BPM
Suite de Ballet: Passepied by Ralph Vaughan Williams, Jan Vinci, Hugh Sung, Mark Vinci, Jennifer HigdonSuite de Ballet: PassepiedRalph Vaughan Williams, Jan Vinci, Hugh Sung, Mark Vinci, Jennifer HigdonC Minor25A148 BPM
Malta Suite for Clarinet and Piano: I. Il qarinza by Charles Camilleri, David Campbell, Julian JacobsonMalta Suite for Clarinet and Piano: I. Il qarinzaCharles Camilleri, David Campbell, Julian JacobsonG Major19B110 BPM
Piano Trio in A Minor, M. 67: III. Passacaille. Très large by Maurice Ravel, Florestan TrioPiano Trio in A Minor, M. 67: III. Passacaille. Très largeMaurice Ravel, Florestan TrioF♯ Minor011A77 BPM
Sonata Op. 120 No. 2 in E-flat Major for Clarinet and Piano: II. Allegro appassionato by Johannes Brahms, Jasmine ChoiSonata Op. 120 No. 2 in E-flat Major for Clarinet and Piano: II. Allegro appassionatoJohannes Brahms, Jasmine ChoiB♭ Minor03A137 BPM
Die still Stadt by Alma Mahler, Aitor Llimerá, Mario MoraDie still StadtAlma Mahler, Aitor Llimerá, Mario MoraD Minor17A70 BPM
4 Vocalises, Op. 212 (arr. L. Lencses): Vocalise No. 1 by Lajos Lencsés, Charles Koechlin, Toulouse National Chamber Orchestra, Alain Moglia4 Vocalises, Op. 212 (arr. L. Lencses): Vocalise No. 1Lajos Lencsés, Charles Koechlin, Toulouse National Chamber Orchestra, Alain MogliaA Minor18A0 BPM
Symphony No. 3 in F Major, Op. 90: II. Andante (1) by Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van ZwedenSymphony No. 3 in F Major, Op. 90: II. Andante (1)Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van ZwedenF Major07B67 BPM
Cello Concerto No. 1, Op. 50, W095: II. Tempo de gavotte. Assai moderato by Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São PauloCello Concerto No. 1, Op. 50, W095: II. Tempo de gavotte. Assai moderatoHeitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São PauloC Minor15A73 BPM
ISRC
BER181861207
Label
L-M Records/RCA Records

Section: 0.5944361686706543

End: 0.5981347560882568