"Patience / Act 1: If you're anxious for to shine in the high aesthetic.." by Arthur Sullivan, John Reed, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey was released on January 1, 1998. The duration of Patience / Act 1: If you're anxious for to shine in the high aesthetic.. is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Patience / Act 1: If you're anxious for to shine in the high aesthetic..'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 52 in the song's album "The Very Best Of Gilbert & Sullivan". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Patience / Act 1: If you're anxious for to shine in the high aesthetic.. is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Patience / Act 1: If you're anxious for to shine in the high aesthetic.. by Arthur Sullivan, John Reed, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane, Op. 50 | Gabriel Fauré, The New Symphony Orchestra Of London, Raymond Agoult | E Major | 1 | 12B | 102 BPM | ||
I Wish It So | Marc Blitzstein, Dawn Upshaw | C Major | 0 | 8B | 80 BPM | ||
21. Braid the raven hair, Weave the supple tresses | Arthur Sullivan, Peggy Ann Jones, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | B♭ Major | 1 | 6B | 141 BPM | ||
Waitin' for My Dearie | MGM Studio Chorus, Frederick Loewe, Betty Allen, Anne Biggs, Bonnie Murray, Carol Richards | G Major | 0 | 9B | 121 BPM | ||
I'll Make A Man Of You | Avis Bunnage, John Yap, Sophie Marchant | F Major | 2 | 7B | 147 BPM | ||
Kaiserwalzer, Op. 437 - Remastered 2024 | Johann Strauss II, The New Symphony Orchestra Of London, Josef Krips | B♭ Major | 1 | 6B | 77 BPM | ||
The Sound of Freedom | Emily E. Finke | F Major | 4 | 7B | 112 BPM | ||
I Can Hear You Calling Me | Jerry Lynch | A Major | 2 | 11B | 111 BPM | ||
Graduation Ball, Ballet Suite: The Compère | Johann Strauss II, Anatole Fistoulari, The New Symphony Orchestra Of London | G Major | 0 | 9B | 87 BPM | ||
There's a Song in My Heart | Timothy Hawn | A Major | 1 | 11B | 104 BPM |
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