Peter Philips, Byron Schenkman's ' "Amarilli (after G. Caccini)" was released on its scheduled release date, January 1, 2003. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Byron Schenkman's "Harpsichord Recital: Schenkman, Byron (The Fitzwilliam Virginal Book)" album is number 10 out of 22. On top of that, United States appears to be the country where this track was created. Amarilli (after G. Caccini) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Amarilli (after G. Caccini) by Peter Philips, Byron Schenkman to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salve Regina pour soprano, contre-ténor et basse continue: I. Salve Regina (Adagio) | Domenico Scarlatti, Vox Luminis, Lionel Meunier | A♭ Major | 3 | 4B | 124 BPM | ||
Missa super Benedicta es: Agnus Dei | Adrian Willaert, Capilla Flamenca, Patrick Denecker | C Major | 1 | 8B | 78 BPM | ||
Suite I: Gaillarde | Claude Gervaise, Christian Mendoze | B♭ Major | 2 | 6B | 116 BPM | ||
Missa Prolationum: Kyrie | Johannes Ockeghem, Musica Ficta, Bo Holten | F♯ Major | 1 | 2B | 79 BPM | ||
Susanne un jour | Laurenzino, Orlande de Lassus, Jakob Lindberg | A Major | 1 | 11B | 133 BPM | ||
Canarios | Antonio de Santa Cruz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | D Major | 1 | 10B | 111 BPM | ||
A Song of Mr Robert Parsons | Robert Parsons, Catherine King, The Rose Consort Of Viols | A♭ Minor | 0 | 1A | 92 BPM | ||
Es taget vor dem Walde / Fortuna | Ludwig Senfl, Consort Mirabile | E♭ Minor | 1 | 2A | 81 BPM | ||
Missa Tempore Quadragesimae, MH 553: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 1 | 9B | 73 BPM | ||
Amarilli di Julio Romano (Arr. for Lute & Harp) | Peter Philips, Luca Pianca, Margret Köll | D Minor | 1 | 7A | 112 BPM |