"12 Sonate accademiche, Op. 2: Finale. Canone sopra "Ut re mi fal sol la"" by Francesco Maria Veracini, Enrico Onofri, Imaginarium, Maria Cristina Vasi was released on November 1, 2007. The duration of 12 Sonate accademiche, Op. 2: Finale. Canone sopra "Ut re mi fal sol la" is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. 12 Sonate accademiche, Op. 2: Finale. Canone sopra "Ut re mi fal sol la"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Enrico Onofri, Imaginarium's "La Voce nel Violino" album is number 14 out of 14. On top of that, France appears to be the country where this track was created. 12 Sonate accademiche, Op. 2: Finale. Canone sopra "Ut re mi fal sol la" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 12 Sonate accademiche, Op. 2: Finale. Canone sopra "Ut re mi fal sol la" by Francesco Maria Veracini, Enrico Onofri, Imaginarium, Maria Cristina Vasi to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Minor, Op. 6 No. 3: I. Largo andante | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 119 BPM | ||
Concerto Pour Basson, Deux Violons, Alto Et Basse Continue En Si Bémol Majeur, GWV 340: II. Affetuoso | Christoph Graupner, Mathieu Lussier, Natalie Michaud, Geneviève Soly, Les idées heureuses | E Major | 0 | 12B | 64 BPM | ||
Les Eléments: X. Caprice | Jean-Féry Rebel, Akademie für Alte Musik Berlin, Georg Kallweit, Midori Seiler | D♭ Major | 3 | 3B | 76 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro primo, Concerto No. 3 in D Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, David Plantier, Hendrike ter Brugge | D♭ Minor | 3 | 12A | 76 BPM | ||
Concerto in D Major, Op. 6 No. 6: II. Con furia | Charles Avison, Café Zimmermann | D♭ Major | 4 | 3B | 141 BPM | ||
Ouverture for Strings & Continuo in A Major: V. Rondeau - Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Major | 3 | 12B | 200 BPM | ||
Recorder Sonata No. 12 in G Minor: I. Largo | Francesco Mancini, Dan Laurin, London Baroque | F♯ Minor | 1 | 11A | 91 BPM | ||
Violin Sonata in G Major, Op. 5, No. 12: III. Largo | Jean-Marie Leclair, Trio Settecento | D Minor | 1 | 7A | 110 BPM | ||
Sinfonia No. 4 in si minore (Morte e sepoltura di Christo): IV. Allegro assai | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM |
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