"125 Contrapunti on a Cantus firmus "La Spagna": No. 93, —" by Costanzo Festa, The Rose Consort Of Viols was released on August 26, 2014. With 125 Contrapunti on a Cantus firmus "La Spagna": No. 93, — being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 32 in the song's album "Serenissima: Music from Renaissance Europe on Venetian Viols". In this album, this song's track order is #3. 125 Contrapunti on a Cantus firmus "La Spagna": No. 93, — is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 125 Contrapunti on a Cantus firmus "La Spagna": No. 93, — by Costanzo Festa, The Rose Consort Of Viols having a BPM of 59 with a half-time of 30 BPM and a double-time of 118 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Figlia di Guglielmino | Antonio Cornazzano, Into the Winds | E♭ Major | 0 | 5B | 84 BPM | ||
Para la llegada del virrey don Diego Fernández de Córdoba: I. Elegit eum Dominus | Gaspar Fernandes, Coro Ciudad de la Alhambra, Ensemble Elyma, Gabriel Garrido | C Major | 5 | 8B | 108 BPM | ||
Missa pro defunctis: III. Séquence | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | A Minor | 3 | 8A | 108 BPM | ||
Corollarium. Canzon à 5 | Johann Hermann Schein, Ricercar Consort, Philippe Pierlot | G Minor | 2 | 6A | 117 BPM | ||
Der ander Theil des Lautenbuchs: Ich klag den tag (I lament the day) | Hans Neusidler, Ronn McFarlane | F♯ Major | 0 | 2B | 80 BPM | ||
32 Variations on "La Spagna": Contrapunto 70 à 4. Cantus firmus à la troisième voix | Costanzo Festa, Huelgas Ensemble, Paul Van Nevel | A Minor | 0 | 8A | 104 BPM | ||
Qui confidunt | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | A Minor | 1 | 8A | 82 BPM | ||
Dulcissima Maria: II. Audi nos, Sanctissima | Francisco Guerrero, Yolanda Lázaro, Alicia Ramonet, Lluis Vilamajo, Tomás Maxè, Ignasi Jorda | F Minor | 1 | 4A | 84 BPM | ||
Taverner: Missa Corona spinea - 06. Benedictus | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 71 BPM | ||
Taedet Animam meam | Gioseffo Zarlino, Dionysos Now, Tore Tom Denys | C Major | 1 | 8B | 116 BPM |
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