Georg Philipp Telemann, Boris Begelman's 'Sonata for Violin and Basso Continuo in D Minor, TWV 41:d6: IV. Allegro' came out on August 21, 2015. The duration of Sonata for Violin and Basso Continuo in D Minor, TWV 41:d6: IV. Allegro is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Sonata for Violin and Basso Continuo in D Minor, TWV 41:d6: IV. Allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Telemann: Violin Sonatas". In this album, this song's track order is #19. In terms of popularity, Sonata for Violin and Basso Continuo in D Minor, TWV 41:d6: IV. Allegro is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sonata for Violin and Basso Continuo in D Minor, TWV 41:d6: IV. Allegro by Georg Philipp Telemann, Boris Begelman having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quartet in G Major: I. Adagio | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 76 BPM | ||
Mystery (Rosary) Sonata No. 3, "The Nativity": I. Sonata | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B♭ Minor | 1 | 3A | 173 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Guitar Quintet No.4 in D: IV. Fandango (extract) | Luigi Boccherini, Fabio Biondi | D Major | 3 | 10B | 105 BPM | ||
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: IV. Postillons | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | A Major | 2 | 11B | 118 BPM | ||
Concerto a 5 in C Major, Op. 9, No. 9: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 2 | 8A | 66 BPM | ||
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo | Tomaso Albinoni, London Baroque | F♯ Major | 2 | 2B | 105 BPM | ||
Fasch : Symphony in G major : IV Presto | Johann Friedrich Fasch, Jean-François Paillard & Orchestre de Chambre Jean-François Paillard, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Major | 2 | 10B | 129 BPM | ||
Concerto Grosso in A Minor, Op. 3, No. 2: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | A Minor | 0 | 8A | 90 BPM | ||
Concerto 5 in A Minor, Op. 7: III. Allegro assai | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | B♭ Minor | 2 | 3A | 118 BPM |
Section: 0.6016490459442139
End: 0.6051783561706543