Leroy Anderson, Traditional, College of New Jersey Wind Ensemble, William Silvester made "Angels in Our Fields (arr. L. Anderson)" available on September 6, 2011. The duration of Angels in Our Fields (arr. L. Anderson) is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Angels in Our Fields (arr. L. Anderson)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Winds of the Season by William Silvester. The song's track number on the album is #22 out of 27 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Angels in Our Fields (arr. L. Anderson) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Angels in Our Fields (arr. L. Anderson) by Leroy Anderson, Traditional, College of New Jersey Wind Ensemble, William Silvester has a tempo of 116 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Angels in Our Fields (arr. L. Anderson) being at 116 BPM, the half-time would be 58 BPM with a double-time of 232 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Texas Memories | Moscow Symphony Orchestra, Dino Soldo, Moscow Symphony Chorus, William T. Stromberg, Max Steiner, John Morgan | G Major | 0 | 9B | 85 BPM | ||
The Girl I Left Behind Me - Mono | Leroy Anderson | G Major | 5 | 9B | 133 BPM | ||
Ballszene | Joseph Hellmesberger, Sr., Göttingen Symphony Orchestra, Christian Simonis | B Major | 3 | 1B | 98 BPM | ||
Gavotte | Joseph Hellmesberger, Jr., Andris Nelsons, Wiener Philharmoniker | A Major | 1 | 11B | 141 BPM | ||
The Alfred Hitchcock Theme | Frank Chacksfield & His Orchestra | D Major | 2 | 10B | 108 BPM | ||
The Irish Washerwoman | Leroy Anderson, Simon Tedeschi, Paul Mann, Melbourne Symphony Orchestra | A Major | 3 | 11B | 78 BPM | ||
Mouret: Rondeau ("Masterpiece Theater" Theme) - Produced | Mouret, Calvin Hampton | D Major | 1 | 10B | 146 BPM | ||
Carmen Suite No. 2: VI. Danse Boheme | Georges Bizet, Slovak Philharmonic, Anthony Bramall | C Major | 1 | 8B | 108 BPM | ||
Harry Line (De "The Third Man") | American West Orchestra | G Major | 3 | 9B | 156 BPM | ||
Be Our Guest (from "Beauty and the Beast") | London Pops Orchestra | G Major | 2 | 9B | 106 BPM |
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