Louis Couperin, Massimo Berghella's 'Harpsichord Suite No. 1 in G Minor: XCVIII. Passacaille' came out on June 30, 2023. With this song being about 5 minutes long, at 5:06, "Harpsichord Suite No. 1 in G Minor: XCVIII. Passacaille" by Louis Couperin, Massimo Berghella is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 129 in Couperin: Complete Harpsichord Music by Louis Couperin, Massimo Berghella. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Harpsichord Suite No. 1 in G Minor: XCVIII. Passacaille is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Harpsichord Suite No. 1 in G Minor: XCVIII. Passacaille by Louis Couperin, Massimo Berghella is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto I in D Major: I. Grave - Allegro - Adagio | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | D♭ Major | 1 | 3B | 75 BPM | ||
Ouverture in G Major: I. Ouverture | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 4 | 7B | 123 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Clavos pedum, plagas duras" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Hanna Bayodi | C Minor | 2 | 5A | 90 BPM | ||
Sonata K. 9 D Minor - Allegretto | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Sinfonia per violoncello in G Minor: II. Allegro | Giovanni Bononcini, Marco Ceccato, Accademia Ottoboni | A♭ Minor | 1 | 1A | 73 BPM | ||
Partita in A Minor: Plainte faite à Londres pour passer la melan | Marcin Świątkiewicz | A♭ Major | 2 | 4B | 78 BPM | ||
Trio in E-Flat Major for Viola d’amore, Bass Chalumeau & Continuo: I. Largo | Christoph Graupner, Hélène Plouffe, Mark Simons, David Jacques, Erin Helyard, Jacques-Olivier Chartier, Chloe Meyers, Amanda Keesmaat, Sophie Larivière, Olivier Laquerre | E Major | 0 | 12B | 116 BPM | ||
Allegro in A Major | Carl Friedrich Abel, Paolo Pandolfo | A♭ Major | 0 | 4B | 90 BPM | ||
Viola da Gamba Sonata in G Major, BWV 1027: III. Andante | Johann Sebastian Bach, Hille Perl, Michael Behringer | F♯ Major | 1 | 2B | 83 BPM | ||
Flute Concerto in D Minor, RV 431a "Il gran mogol": II. Larghetto | Antonio Vivaldi, Barthold Kuijken, Indianapolis Baroque Orchestra | B♭ Major | 4 | 6B | 129 BPM |
Section: 0.6089749336242676
End: 0.6120142936706543