"I’ vo piangendo i miei passati tempi" by Cristofano Malvezzi, Theatro dei Cervelli, Andrés Locatelli was released on February 16, 2024. The duration of I’ vo piangendo i miei passati tempi is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. I’ vo piangendo i miei passati tempi's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in La Morra, Theatro dei Cervelli, Francesco Corti's "Music in Golden-Age Florence 1250-1750" album is number 19 out of 49. On top of that, Germany appears to be the country where this track was created. In terms of popularity, I’ vo piangendo i miei passati tempi is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I’ vo piangendo i miei passati tempi by Cristofano Malvezzi, Theatro dei Cervelli, Andrés Locatelli to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Sonntraud Engels-Benz, Frieder Bernius, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart | B♭ Minor | 0 | 3A | 68 BPM | ||
Ya soy desposado | Juan del Encina, ContrArco Consort | C Major | 1 | 8B | 100 BPM | ||
Morir non può il mio core | Maddalena Casulana, The Sixteen, Harry Christophers | G Major | 1 | 9B | 131 BPM | ||
Una stravaganza dei Medici (The 1589 Florentine Intermedi), I. The Harmony of the Spheres: 6. Coppia gentil a 6 (Malvezzi) | Cristofano Malvezzi, Hugh Keyte, Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott | B♭ Major | 1 | 6B | 81 BPM | ||
Qui ne regrettoit | Jean Mouton, The Gesualdo Six, Owain Park | G Minor | 1 | 6A | 91 BPM | ||
La Pellegrina: Music for the Wedding of Ferdinando de' Medici and Christine de Lorraine, Princess of France Florence 1589: O fortunata giorno | Cristofano Malvezzi, Paul Van Nevel | G Minor | 2 | 6A | 81 BPM | ||
Prime die Lectio secunda: XI. Vau | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | A♭ Minor | 0 | 1A | 81 BPM | ||
Dominus illuminatio mea: Sinfonia | Franz Tunder, Peter Barany, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A Minor | 0 | 8A | 79 BPM | ||
Tenebrae Responsories - Matins Responsories for Maundy Thursday: Nocturn III - Eram quasi agnus innocens | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM | ||
La Pellegrina: Music for the Wedding of Ferdinando de' Medici and Christine de Lorraine, Princess of France Florence 1589: Dolcissime Sirene | Cristofano Malvezzi, Paul Van Nevel | F Major | 1 | 7B | 94 BPM |
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