John Playford, The Broadside Band, Jeremy Barlow's 'The English Dancing Master: My mother's ay glow'ring o'er me' came out on April 20, 1980. The duration of The English Dancing Master: My mother's ay glow'ring o'er me is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. The English Dancing Master: My mother's ay glow'ring o'er me's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Playford, The Broadside Band, Jeremy Barlow's "John Playford: Popular Tunes in 17th Century England" album is number 32 out of 42. The popularity of The English Dancing Master: My mother's ay glow'ring o'er me is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The English Dancing Master: My mother's ay glow'ring o'er me by John Playford, The Broadside Band, Jeremy Barlow to be Presto (very, very fast) because the track has a tempo of 178 BPM, a half-time of 89BPM, and a double-time of 356 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Folias Gallegas (arr. G. Herreid) | Santiago De Murcia, Grant Herreid, Piffaro | A♭ Major | 0 | 4B | 132 BPM | ||
Chacona: "Una sarao de la chacona" | Juan Arañés, Piffaro | B♭ Minor | 1 | 3A | 104 BPM | ||
Allemande 4 - 1557 | Claude Gervaise, Ensemble Doulce Mémoire | G Minor | 2 | 6A | 117 BPM | ||
Cantiga No. 10, "Rosa das rosas": Instrumental (CSM 259) | Alfonso X El Sabio, Unicorn Ensemble | F Major | 1 | 7B | 119 BPM | ||
Susato: 12 Dances from The Danserye: I. La Mourisque | Tylman Susato, Early Music Consort Of London | C Major | 6 | 8B | 87 BPM | ||
Adsons Saraband | John Playford, Ensemble Buon tempo | B Major | 2 | 1B | 117 BPM | ||
Ghizeghem / Arr. Des Prez: De tous biens plaine (Instrumental) | Hayne van Ghizeghem, David Munrow, Early Music Consort Of London | D Minor | 0 | 7A | 156 BPM | ||
Trattado de glosas: Recercada No. 4, "La gamba" | Diego Ortiz, Piffaro | E♭ Minor | 1 | 2A | 120 BPM | ||
Ah, Robyn (Smeaton, Anne's Lutenist) | Claire van Kampen | A Minor | 0 | 8A | 209 BPM | ||
In tua memoria | Arnold de Lantins, Ars Italica, Sigrid Lee, Francis Biggi, Marco Ferrari | A Minor | 0 | 8A | 55 BPM |
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