"Le midi. l'amour épanouï: I. Bonté divine, vien et monstre" by Orlande de Lassus, Capilla Flamenca was released on November 23, 2009. With Le midi. l'amour épanouï: I. Bonté divine, vien et monstre being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Capilla Flamenca's "Lassus: Bonjour mon coeur" album is number 8 out of 27. On top of that, Belgium appears to be the country where this track was created. In terms of popularity, Le midi. l'amour épanouï: I. Bonté divine, vien et monstre is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le midi. l'amour épanouï: I. Bonté divine, vien et monstre by Orlande de Lassus, Capilla Flamenca to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Taaveti laulud 22, "Mu Jumal! Mu Jumal!" (Psalm 22, "My God, my God?") | Cyrillus Kreek, Estonian Philharmonic Chamber Choir, Daniel Reuss | G Major | 0 | 9B | 80 BPM | ||
Missa ex B: V. Domine Fili - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | G Minor | 1 | 6A | 121 BPM | ||
O quam mirabilis est (Antiphona) | Hildegard von Bingen, Sequentia, Barbara Thornton | C Major | 0 | 8B | 136 BPM | ||
A vous, douce debonnaire (Rondeau) W! | Jehan de Lescurel, Ensemble Gilles Binchois, Dominique Vellard | D♭ Major | 0 | 3B | 136 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | ||
Je me complains piteusement | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Major | 0 | 11B | 75 BPM | ||
Lassus: Chansons françaises à quatre voix, Volume 1: No. 8, La nuict froide et sombre | Joachim du Bellay, Orlande de Lassus, Ensemble Gilles Binchois | E♭ Minor | 0 | 2A | 76 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Introitus: II. Te decet hymnus Deus in Sion | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | F Minor | 1 | 4A | 81 BPM | ||
Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi | Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM |
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