Leo Slezak's 'Ungeduld (Ich Schnitt Es Gern In Alle Rinden Ein), Die Schöne Müllerin Op. 25 D 795 Nr. 1-20 (Liederzyklus N...)' came out on May 5, 2010. The duration of Ungeduld (Ich Schnitt Es Gern In Alle Rinden Ein), Die Schöne Müllerin Op. 25 D 795 Nr. 1-20 (Liederzyklus N...) is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Ungeduld (Ich Schnitt Es Gern In Alle Rinden Ein), Die Schöne Müllerin Op. 25 D 795 Nr. 1-20 (Liederzyklus N...)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leo Slezak's "Musikalische Erinnerungen Zum 50.Todestag" album is number 18 out of 22. Ungeduld (Ich Schnitt Es Gern In Alle Rinden Ein), Die Schöne Müllerin Op. 25 D 795 Nr. 1-20 (Liederzyklus N...) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ungeduld (Ich Schnitt Es Gern In Alle Rinden Ein), Die Schöne Müllerin Op. 25 D 795 Nr. 1-20 (Liederzyklus N...) by Leo Slezak to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cendrillon: Prenez un maintien gracieux | Jules Massenet, Philharmonia Orchestra, Julius Rudel | G Major | 1 | 9B | 84 BPM | ||
Les Contes d'Hoffmann / Act 1: "Glou, glou, glou! Je suis la bière" | Jacques Offenbach, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 1 | 8B | 114 BPM | ||
Srdce v rákosí: "Hvězdy se líbají" | Jaroslav Jankovec, Dagmar Peckova, Zdeněk Matouš, Dvořák Chamber Orchestra, Miroslav Homolka | G Major | 1 | 9B | 66 BPM | ||
Lehár: Zigeunerliebe: "Hör ich Cymbalklänge" (Ilona) | Franz Lehár, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
Vèpres solennelles d'un confesseur en Do majeur K. 339, Laudate dominum | Wolfgang Amadeus Mozart, Maria Stader, Gustav König, RIAS-Symphonie-Orchester | F Major | 2 | 7B | 123 BPM | ||
Annelies (chamber version): V. Life in hiding | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | A Minor | 1 | 8A | 78 BPM | ||
Winterreise, Op. 89, D. 911: No. 5. Der Lindenbaum | Franz Schubert, Leo Slezak, Studio pianist | G Major | 1 | 9B | 106 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: "Morgenlich leuchtend" | Richard Wagner, Leo Slezak, Unknown Orchestra, Manfred Gurlitt | F Minor | 1 | 4A | 79 BPM | ||
Werther (2003 Digital Remaster), Premier Acte: Alors, c'est bien ici...Je ne sais si je veille (Werther) | Jules Massenet, Nicolai Gedda, Georges Prêtre, Brad Smith, Orchestre de Paris | G Major | 2 | 9B | 80 BPM | ||
Aimons-nous | Camille Saint-Saëns, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM |
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