Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Ana Quintans, Isabelle Druet, Cyril Auvity, Marielou Jacquard's ' "Coronis, Jornada segunda: No. 14, No he de escuchar" was released on its scheduled release date, February 11, 2022. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Coronis, Jornada segunda: No. 14, No he de escuchar's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 46 in the song's album "Sebastián Durón: Coronis". In this album, this song's track order is #14. Furthermore, we believe that the track originated from France. In terms of popularity, Coronis, Jornada segunda: No. 14, No he de escuchar is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Coronis, Jornada segunda: No. 14, No he de escuchar by Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Ana Quintans, Isabelle Druet, Cyril Auvity, Marielou Jacquard having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ho vinto, Amor | Tommaso Carapella, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite | B♭ Minor | 0 | 3A | 110 BPM | ||
Armide, LWV 71, Prologue: D'une égale tendresse (La Gloire, La Sagesse) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Eva Zaïcik, Marie Perbost | C Major | 3 | 8B | 112 BPM | ||
Coronis, Jornada segunda: No. 2, Al dios de los mares | Sebastian Durón, Le Poème Harmonique, Vincent Dumestre | D♭ Minor | 4 | 12A | 131 BPM | ||
Sistite sidera, coeli motus otiamini: No. 6, Aria, "Praestet tellus encomia florum" | Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla | A Major | 3 | 11B | 93 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 3. Kyrie eleison | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 111 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: III. Ayre | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Armida al campo d'Egitto, RV 699: Chi alla colpa fa tragitto | Antonio Vivaldi, Miho Fukui, Dominik Worner, Ensemble F | F♯ Minor | 6 | 11A | 157 BPM | ||
Hamburg Symphony No. 3 in C Major, Wq. 182: III. Allegretto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Dieupart: Harpsichord Suite No. 5 in G Major: IV. Sarabande (Version With Recorder) | Charles Dieupart, Frans Brüggen, Gustav Leonhardt, Nikolaus Harnoncourt | E Major | 0 | 12B | 116 BPM | ||
Trios Pour Le Coucher Du Roi - Symphony | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM |