Antonio Salieri, Aurèle Nicolet, Heinz Holliger, Academy of St. Martin in the Fields, Kenneth Sillito made "Concerto in C for Flute, Oboe, and Orchestra: 3. Allegretto" available on January 1, 1986. With this song being about 5 minutes long, at 5:15, "Concerto in C for Flute, Oboe, and Orchestra: 3. Allegretto" by Antonio Salieri, Aurèle Nicolet, Heinz Holliger, Academy of St. Martin in the Fields, Kenneth Sillito is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Salieri/Stamitz/Cimarosa: Concertos for Flute & Oboe". In this album, this song's track order is #3. Based on our statistics, Concerto in C for Flute, Oboe, and Orchestra: 3. Allegretto's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Concerto in C for Flute, Oboe, and Orchestra: 3. Allegretto by Antonio Salieri, Aurèle Nicolet, Heinz Holliger, Academy of St. Martin in the Fields, Kenneth Sillito having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grand Galop chromatique in E-Flat Major, S. 219 | Franz Liszt, Lang Lang | A♭ Major | 3 | 4B | 153 BPM | ||
Oboe Sonata in D Major, Op. 166: I. Andantino | Camille Saint-Saëns, Allan Vogel, Bryan Pezzone | D Minor | 2 | 7A | 66 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
Capriol Suite: 1. Basse-danse | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | D Minor | 2 | 7A | 133 BPM | ||
Les Danaides: VII. Pantomime: Andantino sostenuto | Antonio Salieri, Mannheim Mozart Orchestra, Thomas Fey | G Major | 0 | 9B | 101 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM | ||
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | ||
Symphony in D Major, Op. 18, No. 2: I. Grave - Allegro assai | Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 79 BPM | ||
Falstaff: Act I Scene 15: Finale primo: Bricconcella! alfin t'ho colta (Falstaff, Mrs. Ford) | Antonio Salieri, József Gregor, Mária Zempléni, Dénes Gulyás, Istvan Gati, Eva Panczel, Tamas Csurja, Eva Vamossy, Salieri Chamber Chorus, Salieri Chamber Orchestra, Tamas Pal | F Major | 2 | 7B | 89 BPM |
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