"Elgar: Violin Concerto in B Minor, Op. 61: I. Allegro" by Edward Elgar, Renaud Capuçon, London Symphony Orchestra, Sir Simon Rattle was released on March 5, 2021. Elgar: Violin Concerto in B Minor, Op. 61: I. Allegro appears to be safe for all ages as it is not explicit. The song is number 1 out of 6 in Elgar: Violin Concerto & Violin Sonata by Renaud Capuçon, Stephen Hough, London Symphony Orchestra, Sir Simon Rattle. Elgar: Violin Concerto in B Minor, Op. 61: I. Allegro is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Elgar: Violin Concerto in B Minor, Op. 61: I. Allegro by Edward Elgar, Renaud Capuçon, London Symphony Orchestra, Sir Simon Rattle is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Luke and Leia | John Williams, London Symphony Orchestra | A Major | 1 | 11B | 92 BPM | ||
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Piano Concerto No. 21 | Wolfgang Amadeus Mozart, HAUSER, Robert Ziegler, London Symphony Orchestra | F Major | 3 | 7B | 177 BPM | ||
Messiah / Part 1: "For Behold, Darkness Shall Cover The Earth...The People That Walked In Darkness" | George Frideric Handel, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis | B Minor | 1 | 10A | 131 BPM | ||
Messiah / Part 1: "Thus Saith The Lord" | George Frideric Handel, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis | D Minor | 4 | 7A | 184 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Symphony No. 3 in C Minor: II. Andante ma non troppo | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | A♭ Major | 0 | 4B | 88 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM |
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