Messiah / Part 1: "Thus Saith The Lord"
George Frideric Handel, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis
Handel: Messiah
1:30 January 1, 1966
BPM
184
Key
D Minor
Camelot
7A

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Messiah / Part 1: "Thus Saith The Lord" - George Frideric Handel, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis Information

Acousticness
98%
Danceability
32%
Energy
36%
Instrumentalness
0%
Liveness
15%
Loudness
67%
Speechiness
6%
Valence
66%
Popularity
Loudness
-19.693 dB

Summary

George Frideric Handel, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis made "Messiah / Part 1: "Thus Saith The Lord"" available on January 1, 1966. With Messiah / Part 1: "Thus Saith The Lord" being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis's "Handel: Messiah" album is number 5 out of 42. The popularity of Messiah / Part 1: "Thus Saith The Lord" is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

Messiah / Part 1: "Thus Saith The Lord" BPM

We consider the tempo marking of Messiah / Part 1: "Thus Saith The Lord" by George Frideric Handel, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis to be Presto (very, very fast) because the track has a tempo of 184 BPM, a half-time of 92BPM, and a double-time of 368 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.

Messiah / Part 1: "Thus Saith The Lord" Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8304920196533203

End: 0.83555006980896