"Ivan IV, WD 12, dritter Akt: Qui vive?" by Orchestre National de l'O.R.T.F., Pierre Michel Leconte, Choro National De L'ORTF was released on December 8, 1961. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 19 out of 20 in Bizet: Ivan IV by Orchestre National de l'O.R.T.F., Pierre Michel Leconte, Choro National De L'ORTF. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Ivan IV, WD 12, dritter Akt: Qui vive?'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ivan IV, WD 12, dritter Akt: Qui vive? by Orchestre National de l'O.R.T.F., Pierre Michel Leconte, Choro National De L'ORTF is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ibert: Escales: I. Rome - Palerme | Jacques Ibert, Jean Martinon, Orchestre National de l'O.R.T.F. | F♯ Major | 1 | 2B | 109 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): II. Il vecchio castello | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | A♭ Major | 2 | 4B | 87 BPM | ||
Hary Janos Suite: Háry János Suite: I. Prelude. The Fairy Tale Begins | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | F Major | 1 | 7B | 84 BPM | ||
Symphony No. 1, Op. 9: I. Allegro ma non troppo | Samuel Barber, Leonard Slatkin, St. Louis Symphony | D♭ Major | 0 | 3B | 106 BPM | ||
Piano Concerto No.1 In G Minor, Op.25, MWV O7: 3. Presto | Felix Mendelssohn, Jean-Yves Thibaudet, Gewandhausorchester, Herbert Blomstedt | G Major | 2 | 9B | 97 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Major | 4 | 8B | 151 BPM | ||
Piano Concerto in D Flat Major: 2. Andante con anima | Aram Khachaturian, Alicia de Larrocha, London Philharmonic Orchestra, Rafael Frühbeck de Burgos | D Minor | 1 | 7A | 115 BPM | ||
Rhapsody-Concerto, H. 337: I. Moderato | Bohuslav Martinů, Maxim Rysanov, BBC Symphony Orchestra, Jiří Bělohlávek | B♭ Major | 1 | 6B | 141 BPM | ||
Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Robert Cohen/London Philharmonic Orchestra/Norman Del Mar, Norman Del Mar, London Philharmonic Orchestra | B♭ Major | 0 | 6B | 91 BPM |
Section: 1.0795543193817139
End: 1.0848259925842285