"Schwanengesang, D. 957: IV. Ständchen" by Franz Schubert, Mark Padmore, Paul Lewis was released on September 13, 2011. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Schubert: Schwanengesang". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Schwanengesang, D. 957: IV. Ständchen's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schwanengesang, D. 957: IV. Ständchen by Franz Schubert, Mark Padmore, Paul Lewis having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schubert: Rosamunde, Op. 26, D. 797: Entr'acte III | Franz Schubert, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 121 BPM | ||
Oedipus: Music For A While, Z583 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | E Minor | 1 | 9A | 85 BPM | ||
12 Lieder von Franz Schubert, S. 558: No. 2, Auf dem Wasser zu singen | Franz Liszt, Murray Perahia | A♭ Major | 0 | 4B | 86 BPM | ||
An den Mond (Geuss, lieber Mond), D. 193 | Franz Schubert, Wolfgang Holzmair, Ulrich Eisenlohr | A♭ Major | 0 | 4B | 86 BPM | ||
Songs My Mother Taught Me from Gypsy Melodie, Op. 55 | Yo-Yo Ma, Patricia Zander | C Minor | 0 | 5A | 98 BPM | ||
Schwanengesang, D. 957: Ständchen | Franz Schubert, Peter Schreier, András Schiff | D Major | 0 | 10B | 164 BPM | ||
Dido and Aeneas, Z.626 - Arr. for cello and choir: Purcell: When I am laid in earth (Dido and Aeneas, Z.626 - Arr. for cello and choir) | Henry Purcell, Henri Demarquette, Sequenza 9.3, Catherine Simonpietri | C Major | 1 | 8B | 74 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Cleveland Orchestra, Lorin Maazel | C Minor | 0 | 5A | 75 BPM | ||
美しき水車小屋の娘 Op. 25, D. 795: 第15曲 嫉妬と誇り | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | G Minor | 2 | 6A | 124 BPM | ||
Rinaldo, HWV 7a: Cara sposa (Air de Rinaldo) | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Minor | 0 | 12A | 116 BPM |
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