"Symphonie fantastique, Op. 14: 4. Marche au supplice (Allegretto non troppo)" by Hector Berlioz, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1999. With this song being about 5 minutes long, at 4:41, "Symphonie fantastique, Op. 14: 4. Marche au supplice (Allegretto non troppo)" by Hector Berlioz, Berliner Philharmoniker, Herbert von Karajan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 7 in Berlioz: Symphonie fantastique Op.14; La Damnation de Faust Op.24 by Hector Berlioz, Berliner Philharmoniker, Herbert von Karajan. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Symphonie fantastique, Op. 14: 4. Marche au supplice (Allegretto non troppo)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonie fantastique, Op. 14: 4. Marche au supplice (Allegretto non troppo) by Hector Berlioz, Berliner Philharmoniker, Herbert von Karajan is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.2 in E Minor (Allegretto scherzando) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 138 BPM | ||
Berlioz: L'enfance du Christ, Op. 25, H 130, Pt. 3 "L'arrivée à Saïs": "Sur vos traits fatigués la tristesse est empreinte" (L'Ismaélite, Joseph, Chœur) | Hector Berlioz, André Cluytens, Choeurs Rene Duclos, Roger Soyer, Xavier Depraz, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 173 BPM | ||
Tannhäuser, WWV 70 / Act 3: "Allmächt'ge Jungfrau, hör mein Flehen!" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | F♯ Major | 1 | 2B | 177 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Symphony In D Minor: 2. Allegretto | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | G Major | 3 | 9B | 87 BPM | ||
Octet in E Flat Major, Op. 20, MWV R20: IV. Presto | Felix Mendelssohn, Emerson String Quartet | F Major | 0 | 7B | 93 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM |
Section: 0.8384537696838379
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