"Stockhausen: Tierkreis, for Trumpet und Organ: I. Wassermann - Aquarius (21.01-19.02) - Uranus (=56,5)" by Karlheinz Stockhausen, Markus Stockhausen was released on July 6, 2009. With Stockhausen: Tierkreis, for Trumpet und Organ: I. Wassermann - Aquarius (21.01-19.02) - Uranus (=56,5) being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Stockhausen: Tierkreis, In Freundschaft, Spiral 1 & Japan". In this album, this song's track order is #3. Stockhausen: Tierkreis, for Trumpet und Organ: I. Wassermann - Aquarius (21.01-19.02) - Uranus (=56,5) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stockhausen: Tierkreis, for Trumpet und Organ: I. Wassermann - Aquarius (21.01-19.02) - Uranus (=56,5) by Karlheinz Stockhausen, Markus Stockhausen having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Electric Counterpoint - Fast | Svet Stoyanov | E Minor | 3 | 9A | 196 BPM | ||
The Sinking of the Titanic: 4. Interlude | Gavin Bryars, Gavin Bryars Ensemble | A♭ Major | 0 | 4B | 78 BPM | ||
Uaxuctum: III. — | Giacinto Scelsi, Concentus Vocalis Griesensis, Vienna Radio Symphony Orchestra, Peter Rundel | B♭ Major | 0 | 6B | 85 BPM | ||
Model 7 | Karlheinz Stockhausen, Electric Phoenix | E♭ Major | 0 | 5B | 134 BPM | ||
Harmonia Mundi (Instrumental) | Renato Di Prinzio | C Major | 2 | 8B | 180 BPM | ||
Lontano | György Ligeti, North German Radio Philharmonic Orchestra, Günter Wand | D♭ Major | 0 | 3B | 79 BPM | ||
Piano & Violoncello 13 | Irena And Vojtech Havlovi | C Minor | 1 | 5A | 66 BPM | ||
Persepolis #2 | Iannis Xenakis | D♭ Major | 7 | 3B | 176 BPM | ||
Simple Past | TEWE | A Minor | 4 | 8A | 143 BPM | ||
Mysterious bells | Aisha Okafor | D♭ Major | 0 | 3B | 181 BPM |
Section: 0.5716979503631592
End: 0.5755457878112793