"Las presencias: No. 3. Jeromita Linares (arr. for chamber orchestra)" by Anonymous , Carlos Guastavino, Camerata Bariloche was released on January 1, 1995. Las presencias: No. 3. Jeromita Linares (arr. for chamber orchestra) appears to be safe for all ages as it is not explicit. The track order of this song in Anonymous, Camerata Bariloche's "Guastavino, C.: 10 Cantilenas Argentinas / Ginastera, A.: Impresiones De La Puna / Zorzi, J.C.: Adagio Elegiaco (Impressions)" album is number 9 out of 10. On top of that, United States appears to be the country where this track was created. Based on our statistics, Las presencias: No. 3. Jeromita Linares (arr. for chamber orchestra)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Las presencias: No. 3. Jeromita Linares (arr. for chamber orchestra) by Anonymous , Carlos Guastavino, Camerata Bariloche to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Quadragesimalis, MH 552: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 0 BPM | ||
Cléreau: Les Odes de Pierre de Ronsard à 3 parties: No. 9, La lune est coustumiere De naistre tous les mois | Pierre Clereau, Ensemble Gilles Binchois | E♭ Minor | 0 | 2A | 76 BPM | ||
Adoramus te Christe | Théodore Dubois, Chorale franco-allemande de Paris, Bernard Lallement, Georges Bessonnet, Thierry Pentsch, Li-Chin Huang | C Major | 0 | 8B | 127 BPM | ||
Messe Et ecce terrae motus: I. Kyrie | Antoine Brumel, Studio De Musique Ancienne De Montréal, Christopher Jackson | D♭ Major | 2 | 3B | 132 BPM | ||
Complies : Hymne. Te lucis ante términum | Choeur grégorien de Paris | G Minor | 1 | 6A | 168 BPM | ||
Unfailing Light-(A.Gitnik) | A.Gitnik, Monks Choir of Kiev Pechersk Monastery | A♭ Major | 2 | 4B | 82 BPM | ||
Now Lettest Thou Thy Servant Depart in Peace | Men's Choir of the Valaam Singing Culture Institute | B Major | 1 | 1B | 82 BPM | ||
Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Adoramus Te Domine (Antífonia) | Jordi Savall | E Minor | 0 | 9A | 123 BPM | ||
Ouvre Moi Les Portes Du Repentir, Pt. 1 | Ensemble des chants et choeurs russes orthodoxes | F Minor | 3 | 4A | 89 BPM | ||
Der 13. Psalm, Op. 27 | Johannes Brahms, MDR Leipzig Radio Chorus, Wolf-Dieter Hauschild | G Major | 1 | 9B | 93 BPM |
Section: 0.49883317947387695
End: 0.5037384033203125