Arabella, Op. 79 / Act 3: Papa, so schau mir ins Gesicht! - Richard Strauss, Kiri Te Kanawa, Ernst Gutstein, Franz Grundheber, Peter Seiffert, Orchestra of the Royal Opera House, Covent Garden, Jeffrey Tate Information

"Arabella, Op. 79 / Act 3: Papa, so schau mir ins Gesicht!" by Richard Strauss, Kiri Te Kanawa, Ernst Gutstein, Franz Grundheber, Peter Seiffert, Orchestra of the Royal Opera House, Covent Garden, Jeffrey Tate was released on January 1, 1987. With this song being about 5 minutes long, at 4:37, "Arabella, Op. 79 / Act 3: Papa, so schau mir ins Gesicht!" by Richard Strauss, Kiri Te Kanawa, Ernst Gutstein, Franz Grundheber, Peter Seiffert, Orchestra of the Royal Opera House, Covent Garden, Jeffrey Tate is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 40 in the song's album "Strauss, R.: Arabella". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Arabella, Op. 79 / Act 3: Papa, so schau mir ins Gesicht! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Arabella, Op. 79 / Act 3: Papa, so schau mir ins Gesicht! BPM

With Arabella, Op. 79 / Act 3: Papa, so schau mir ins Gesicht! by Richard Strauss, Kiri Te Kanawa, Ernst Gutstein, Franz Grundheber, Peter Seiffert, Orchestra of the Royal Opera House, Covent Garden, Jeffrey Tate having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.

Arabella, Op. 79 / Act 3: Papa, so schau mir ins Gesicht! Key

This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.