"Concerto for Oboe, Strings and B.c. "Voli per l'aria": Adagio (from Organconcerto op.4,3, HWV 291)" by George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska was released on January 1, 2006. With Concerto for Oboe, Strings and B.c. "Voli per l'aria": Adagio (from Organconcerto op.4,3, HWV 291) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 23 in the song's album "New Seasons - Händel für Oboe und Orchester". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Germany. The popularity of Concerto for Oboe, Strings and B.c. "Voli per l'aria": Adagio (from Organconcerto op.4,3, HWV 291) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for Oboe, Strings and B.c. "Voli per l'aria": Adagio (from Organconcerto op.4,3, HWV 291) by George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska having a BPM of 178 with a half-time of 89 BPM and a double-time of 356 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
À Chloris (Transc. for Oboe and Piano) | Reynaldo Hahn, Albrecht Mayer, Kimiko Imani | E Major | 1 | 12B | 66 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM | ||
Concerto Grosso in C Minor, Op. 3, No. 11: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 120 BPM | ||
Quartet in G Major: III. Vivace | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 139 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
7 Gates of Jerusalem: De profundis | Krzysztof Penderecki, Sinfonia Varsovia | B♭ Minor | 0 | 3A | 95 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Liya Petrova, Sinfonia Varsovia, Jean-Jacques Kantorow | D Major | 0 | 10B | 104 BPM | ||
Chants populaires, No. 4: Chanson hébraïque | Maurice Ravel, Sonia Wieder-Atherton, János Fürst, Sinfonia Varsovia | C Minor | 0 | 5A | 94 BPM | ||
Sonata in B-flat Major, No. 2: I. Grave | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A Major | 1 | 11B | 132 BPM | ||
Eine Kleine Nachtmusik in G Major, KV 525: I. Allegro | Emmanuel Krivine, Sinfonia Varsovia | G Major | 1 | 9B | 151 BPM |
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