"Male requiem dla pewnej polki (Little Requiem for a Certain Polka), Op. 66: IV. Adagio cantabile" by Henryk Górecki, Anna Gorecka, Warsaw Philharmonic Orchestra, Antoni Wit was released on May 1, 2012. Since Male requiem dla pewnej polki (Little Requiem for a Certain Polka), Op. 66: IV. Adagio cantabile is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Henryk Górecki, Various Artists, Antoni Wit's "Górecki: Little Requiem for a Certain Polka - Concerto-Cantata - Harpsichord Concerto - 3 Dances" album is number 4 out of 13. Male requiem dla pewnej polki (Little Requiem for a Certain Polka), Op. 66: IV. Adagio cantabile is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Male requiem dla pewnej polki (Little Requiem for a Certain Polka), Op. 66: IV. Adagio cantabile by Henryk Górecki, Anna Gorecka, Warsaw Philharmonic Orchestra, Antoni Wit to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prayer of St. Gregory, Op. 62b | Alan Hovhaness, Charles Butler, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 87 BPM | ||
Sundry Pieces, Op. 52: No. 2, 2 Pieces | Henryk Górecki, Anna Gorecka | C Major | 0 | 8B | 75 BPM | ||
Light in Darkness | Evelyn Glennie | G Major | 0 | 9B | 145 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM | ||
"Come in!": 2nd mvt. | Vladimir Martynov, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | A Major | 2 | 11B | 141 BPM | ||
4 Motets sur des themes gregoriens, Op. 10: IV. Tantum ergo | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | B Minor | 1 | 10A | 0 BPM | ||
The Tempest: Suite No. 2, Op. 109: VI. Miranda | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | A Minor | 1 | 8A | 109 BPM | ||
Song For Athene | John Tavener, The Temple Church Choir, The Holst Singers, Ian Le Grice, Stephen Layton | F Minor | 0 | 4A | 75 BPM | ||
Grand Pianola Music: On the Great Divide | John Adams | E♭ Major | 2 | 5B | 84 BPM | ||
Immortal Bach | Knut Nystedt, Schola Cantorum, Kåre Hanken | E♭ Major | 0 | 5B | 127 BPM |
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