"Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3a, Pas de six. Introduction" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra was released on January 1, 1974. With Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3a, Pas de six. Introduction being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 61 in the song's album "Tchaikovsky: The Sleeping Beauty, Op. 66". In this album, this song's track order is #4. The popularity of Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3a, Pas de six. Introduction is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3a, Pas de six. Introduction by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 6 in D Major, Op. 60: II. Adagio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | A♭ Major | 0 | 4B | 82 BPM | ||
La Bayadere, Act III: 44. "Variation - 1st Soloist Shade" | Evergreen Symphony Orchestra, Kevin Galiè | A Major | 1 | 11B | 111 BPM | ||
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 14, Juliet's Variation | Sergei Prokofiev, André Previn, London Symphony Orchestra | F Major | 0 | 7B | 68 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Rimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 0 | 9B | 86 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: II. Adagio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | C Major | 0 | 8B | 54 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28b, Pas de deux. Entrance | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | G Major | 2 | 9B | 86 BPM | ||
Blue Danube Waltz | London Symphony Orchestra | D Major | 1 | 10B | 180 BPM | ||
Scene, Act 2 from Swan Lake | London Symphony Orchestra | E Minor | 0 | 9A | 118 BPM |
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