"Carmen (Sung in English), Act II: Entr'acte" by Georges Bizet, David Parry, Philharmonic Orchestra was released on February 1, 2003. With Carmen (Sung in English), Act II: Entr'acte being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 64 in Bizet: Carmen (Sung in English) by Georges Bizet, David Parry, Philharmonic Orchestra, Patricia Bardon, Julian Gavin, Mary Plazas, Mary Hegarty, Sally Harrison, Garry Magee. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Carmen (Sung in English), Act II: Entr'acte is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen (Sung in English), Act II: Entr'acte by Georges Bizet, David Parry, Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | ||
Sonata for Violin and Guitar in E Minor, Op. 3, No. 6, MS 27: II. Allegro vivo | Niccolò Paganini, Scott St. John, Simon Wynberg | E Major | 3 | 12B | 66 BPM |
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