"Donna non vidi mai" by Mario del Monaco had its release date on February 24, 1951. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Donna non vidi mai's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mario del Monaco's "L'incredibile Mario del Monaco" album is number 40 out of 41. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Donna non vidi mai is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Donna non vidi mai by Mario del Monaco to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto In D Major, Op. 61 | Berliner Philharmoniker, Yehudi Menuhin & Festival Orchestra Lucerne | B♭ Major | 2 | 6B | 95 BPM | ||
Il Barbiere di Siviglia: La calunnia è un venticello | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 93 BPM | ||
La Bohème / Act 1: "Che gelida manina" | Giacomo Puccini, Mario del Monaco, Orchestra, Franco Ghione | C Major | 4 | 8B | 120 BPM | ||
Gounod: Faust, Act 2: "Ainsi que la brise légère" (Chorus, Méphistophélès, Faust, Siebel) | Charles Gounod, Michel Plasson, José van Dam, Martine Mahé, Richard Leech, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Tre giorni son che Nina | Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla | G Major | 1 | 9B | 133 BPM | ||
La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
Norma: Act I: Ah si, fa' core, abbracciami (Norma, Adalgisa) | Vincenzo Bellini, Mario del Monaco, Nicola Zaccaria, Maria Callas, Giulietta Simionato, Gabriella Carturan, Giuseppe Zampieri, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | G Major | 3 | 9B | 100 BPM | ||
Vaghissima sembianza | Stefano Donaudy, Juan Diego Flórez, Filarmonica Gioachino Rossini, Carlo Tenan | A Major | 3 | 11B | 91 BPM | ||
Ebben? Ne andro lontano | Alfredo Catalani, Eva Marton, Pinchas Steinberg | E Minor | 1 | 9A | 86 BPM |