The Red Army Choir, Кристина Фуш, Геннадий Саченюк's 'Романс Женьки "Жди меня" из оперы "Зори здесь тихие"' came out on April 28, 2024. With this song being about 5 minutes long, at 5:15, "Романс Женьки "Жди меня" из оперы "Зори здесь тихие"" by The Red Army Choir, Кристина Фуш, Геннадий Саченюк is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in Поёт Кристина Фуш, so we believe that "Романс Женьки "Жди меня" из оперы "Зори здесь тихие"" is a single. The popularity of Романс Женьки "Жди меня" из оперы "Зори здесь тихие" is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Романс Женьки "Жди меня" из оперы "Зори здесь тихие" by The Red Army Choir, Кристина Фуш, Геннадий Саченюк is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Parysatis: Le Rossignol et la Rose | Camille Saint-Saëns, Erin Morley, Gerald Martin Moore | G Major | 0 | 9B | 75 BPM | ||
Посвящение Героям | The Red Army Choir, Кристина Фуш, Николай Кириллов | E Minor | 4 | 9A | 180 BPM | ||
Puts: The Hours, Act 2: "For Alone You Are Holy…" (Chorus, Man Under the Arch) [Live] | Kevin Puts, Yannick Nézet-Séguin, John Holiday, Metropolitan Opera Chorus, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
La mi sola, Laureola… | Maria Bayo, J.A. Alvarez-Parejo | A Major | 0 | 11B | 167 BPM | ||
Pray “Psalm 23” | Yohan Susilo | A Major | 1 | 11B | 140 BPM | ||
The Revolution Devours Its Children | Federico Jusid | D Minor | 1 | 7A | 71 BPM | ||
Lamento de Jack | Melitza Torres | E Minor | 1 | 9A | 83 BPM | ||
Requiem, Op. 9: Domine Jesu Christe | Maurice Duruflé, Okka von der Damerau, Ljubomir Puškarić, Uladzimir Sinkevich, Bavarian Radio Chorus, Munich Radio Orchestra, Max Hanft, Ivan Repušić | G Minor | 2 | 6A | 176 BPM | ||
Angel, Poem-Nocturne | Theodore Akimenko, Bournemouth Symphony Orchestra, Kirill Karabits | E Major | 1 | 12B | 77 BPM | ||
Slavonic Dance | HAUSER | E♭ Major | 3 | 5B | 77 BPM |
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