"Sieben Frühe Lieder: III. Die Nachtigall" by Alban Berg, Barbara Hannigan, Reinbert de Leeuw was released on August 24, 2018. The duration of Sieben Frühe Lieder: III. Die Nachtigall is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Sieben Frühe Lieder: III. Die Nachtigall's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vienna: Fin de Siècle by Barbara Hannigan, Reinbert de Leeuw. The song's track number on the album is #12 out of 31 tracks. Based on our data, France was the country where this track was produced or recorded. Sieben Frühe Lieder: III. Die Nachtigall is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sieben Frühe Lieder: III. Die Nachtigall by Alban Berg, Barbara Hannigan, Reinbert de Leeuw has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Sieben Frühe Lieder: III. Die Nachtigall being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nuages gris, S.199 | Franz Liszt, Krystian Zimerman | D Minor | 0 | 7A | 68 BPM | ||
Dance Preludes *: No. 3. Allegro giocoso | Witold Lutosławski, Charles West, Susan Grace | B♭ Minor | 2 | 3A | 95 BPM | ||
Symphony No.1 in E Major, Op. 26: IV. Vivace | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | G Major | 1 | 9B | 76 BPM | ||
La Mer, L. 109: III. Dialogue du vent et de la mer | Claude Debussy, Valery Gergiev, London Symphony Orchestra | D♭ Major | 1 | 3B | 86 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Major | 2 | 12B | 76 BPM | ||
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Rhapsody-Concerto, H. 337: II. Molto adagio - Allegro | Bohuslav Martinů, Maxim Rysanov, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 87 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 2. Larghetto | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | G Minor | 1 | 6A | 101 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM |
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