Rolf Schweizer's 'Die Flötenuhr, 1792: I. Allegro moderato' came out on 1991. With Die Flötenuhr, 1792: I. Allegro moderato being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Slovak Philharmonic, Caspar Da Salo Quartet's "Music For The Millions Vol. 37 - Joseph Haydn" album is number 5 out of 23. Die Flötenuhr, 1792: I. Allegro moderato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Flötenuhr, 1792: I. Allegro moderato by Rolf Schweizer to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Heilig ist Gott, Wq. 217: Heilig ist Gott, Wq. 217: 1. Ariette. Herr, wert, daß Scharen der Engel (A) | Carl Philipp Emanuel Bach, Wiebke Lehmkuhl, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | F♯ Major | 1 | 2B | 79 BPM | ||
Morning Song | Alexander Därr | C Major | 0 | 8B | 174 BPM | ||
Messiah, HWV 56: Part 2: Their sound is gone out (Chorus) | Nikolaus Harnoncourt | D Major | 3 | 10B | 86 BPM | ||
When Crossing the Wilderness SHZ 469 | Laestadian Lutheran Church, Kaitlyn Huhta, Katja Vaatainen, Ashley Niemela | F Major | 0 | 7B | 76 BPM | ||
Keyboard Concerto No. 2 in G Major: II. Grave | Johann Adolf Hasse, Janos Sebestyen | E Minor | 1 | 9A | 73 BPM | ||
Magnificat, W. E22: Gloria Patri et filio (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Der Herr ist mein getreuer Hirt, P81 | Johann Pachelbel, Matthew Owens | A Major | 2 | 11B | 113 BPM | ||
Nisi Dominus, HWV 238: I. Nisi Dominus | George Frideric Handel, Johanna Winkel, Viktoria Wilson, Alex Potter, Hugo Hymas, Andreas Wolf, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Flute Trio No. 1 in C Major, Hob. IV:1: III. Finale. Vivace | Unknown, Franz Joseph Haydn, Jean-Pierre Rampal | C Major | 2 | 8B | 151 BPM | ||
Requiem in E-Flat Minor: VIII. Sanctus | Józef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Singapore Symphony Chorus & Youth Choir, Olga Peretyatko, Olesya Petrova | B♭ Major | 1 | 6B | 163 BPM |
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