Leon Jessel, Gitta Lind, Willy Hofmann, Bruno Fritz made "Schwarzwaldmädel: Dialog 13 (Malwine, Richard, Schmusheim)" available on September 29, 2014. The duration of Schwarzwaldmädel: Dialog 13 (Malwine, Richard, Schmusheim) is about 3 minutes long, at 3:03. Based on our data, "Schwarzwaldmädel: Dialog 13 (Malwine, Richard, Schmusheim)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Leon Jessel, Kölner Rundfunkorchester, Franz Marszalek, Franz Fehringer, Gretl Schörg's "Jessel: Schwarzwaldmädel" album is number 27 out of 30. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Schwarzwaldmädel: Dialog 13 (Malwine, Richard, Schmusheim) is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Schwarzwaldmädel: Dialog 13 (Malwine, Richard, Schmusheim) by Leon Jessel, Gitta Lind, Willy Hofmann, Bruno Fritz to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Merry Widow (Die lustige Witwe) / Act 2: Vilja-Lied | Franz Lehár, Ingeborg Hallstein, Grosses Operetten Orchester, Franz Marszalek | G Major | 3 | 9B | 77 BPM | ||
La jota aragonese | Various Artists | G Minor | 2 | 6A | 137 BPM | ||
The Bird Seller: "Ich bin der Prodecan" (Instrumental Version) | Carl Zeller, Budapest Philharmonic Orchestra, Janos Sandor | B♭ Major | 1 | 6B | 128 BPM | ||
Knall und Fall, Polka-schnell, Op. 132 | Vienna Walzer Orchestra, Sandro Cuturello | G Major | 5 | 9B | 89 BPM | ||
The Typewriter | Leroy Anderson, Simon Tedeschi, Paul Mann, Melbourne Symphony Orchestra | G Major | 3 | 9B | 78 BPM | ||
Guerra e pace (Film Music Suite): Valzer | Nino Rota, WDR Funkhausorchester Köln, Felix Bender | D Major | 1 | 10B | 132 BPM | ||
Babes in Toyland: Eccentric Dance (Gavotte) | Victor Herbert, Razumovsky Symphony Orchestra, Keith Brion | F Major | 1 | 7B | 84 BPM | ||
HMS Pinafore: Overture | New D'Oyly Carte Opera Orchestra | B♭ Major | 0 | 6B | 138 BPM | ||
National Anthem of Kingdom of Belgium | François Van Campenhout, Prague Radio Symphony Orchestra, Jan Kučera | C Major | 3 | 8B | 112 BPM | ||
Act III: March (Minkus) | Mariinsky Orchestra | G Major | 4 | 9B | 120 BPM |
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