"La Sonnambula" by Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli was released on January 25, 2011. Since La Sonnambula is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 11 in Art of the Prima Donna by Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli. La Sonnambula is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Sonnambula by Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mary of Argyll (Arr. Gamley) | Sidney Nelson, Dame Joan Sutherland, New Philharmonia Orchestra, Richard Bonynge | F♯ Minor | 2 | 11A | 138 BPM | ||
L'elisir d'amore / Act 2: "Quanto amore!" - "Una tenera occhiatina" | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, English Chamber Orchestra, Richard Bonynge | E Major | 2 | 12B | 104 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, Joseph Calleja, Aleksandra Kurzak, Orchestre de la Suisse Romande, Marco Armiliato | C Major | 2 | 8B | 123 BPM | ||
Andrea Chénier / Act III: "La mamma morta" | Umberto Giordano, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | D Major | 1 | 10B | 76 BPM | ||
Der Rosenkavalier, Op.59 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 89 BPM | ||
Carmen, Act I: No.10 Séguidille et Duo : Près des ramparts de Séville (Carmen/Don José) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 1 | 9B | 90 BPM | ||
Les yeux clos | Jules Massenet, Dame Joan Sutherland, Barry Tuckwell, Richard Bonynge | E Major | 1 | 12B | 83 BPM | ||
Manon Lescaut / Act 1: Donna non vidi mai | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 3 | 6B | 79 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Chanson et scène: Va pour Kleinzach! (Légende de Kleinzach: Hoffmann/Choeurs/Nathanaël) | Jacques Offenbach, Nicolai Gedda, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Minor | 0 | 7A | 106 BPM | ||
Puccini: Madama Butterfly, Act 1: "Vogliatemi bene, un bene piccolino" (Pinkerton, Butterfly) | Giacomo Puccini, Maria Callas, Nicolai Gedda, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 3 | 6B | 89 BPM |
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