Claudio Monteverdi, Rinaldo Alessandrini, Concerto Italiano made "Madrigali e canzonette, libro nono: Sù, sù, su, pastorelli vezzosi" available on October 13, 2023. With this song being about 5 minutes long, at 4:39, "Madrigali e canzonette, libro nono: Sù, sù, su, pastorelli vezzosi" by Claudio Monteverdi, Rinaldo Alessandrini, Concerto Italiano is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Claudio Monteverdi, Rinaldo Alessandrini, Concerto Italiano's "Monteverdi: Madrigali, Libri primo e nono" album is number 32 out of 33. On top of that, France appears to be the country where this track was created. The popularity of Madrigali e canzonette, libro nono: Sù, sù, su, pastorelli vezzosi is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Madrigali e canzonette, libro nono: Sù, sù, su, pastorelli vezzosi by Claudio Monteverdi, Rinaldo Alessandrini, Concerto Italiano to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Angelus Domini descendit | Giovanni Pierluigi da Palestrina, The Sixteen, Harry Christophers | F Minor | 2 | 4A | 143 BPM | ||
Cessez mortels de soupirer | Pierre Guédron, Claire Lefilliâtre, Marc Pontus, Serge Goubioud, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 109 BPM | ||
Quis Est Homo | Andreas Scholl | D Minor | 0 | 7A | 180 BPM | ||
Jesu, meines Lebens Leben, BuxWV 62 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | D Minor | 1 | 7A | 56 BPM | ||
Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Plaude laetere: Symphonie | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B Major | 1 | 1B | 104 BPM | ||
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Motets: De ore prudentis | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | D Minor | 1 | 7A | 71 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM |
Section: 0.537506103515625
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