Paul Schöffler, Harald Pröghölf, Oskar Czerwenka, Murray Dickie, Elisabeth Höngen, Leonie Rysanek, Wiener Philharmoniker, Karl Böhm made "La femme sans ombre, Op. 65, TrV 234, Acte II: "Das Weib ist irre" (Barak, Brothers, Nurse, Empress)" available on June 1, 2016. With La femme sans ombre, Op. 65, TrV 234, Acte II: "Das Weib ist irre" (Barak, Brothers, Nurse, Empress) being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 248 in the song's album "Richard Strauss: Les grands opéras - La discothèque idéale de Diapason, Vol. 7". In this album, this song's track order is #33. Furthermore, we believe that the track originated from France. Based on our statistics, La femme sans ombre, Op. 65, TrV 234, Acte II: "Das Weib ist irre" (Barak, Brothers, Nurse, Empress)'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With La femme sans ombre, Op. 65, TrV 234, Acte II: "Das Weib ist irre" (Barak, Brothers, Nurse, Empress) by Paul Schöffler, Harald Pröghölf, Oskar Czerwenka, Murray Dickie, Elisabeth Höngen, Leonie Rysanek, Wiener Philharmoniker, Karl Böhm having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | ||
Lucia di Lammermoor, Act II: Soffriva nel pianto | Gaetano Donizetti, Zuzana Markova, Stefano Antonucci, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | B♭ Major | 2 | 6B | 152 BPM | ||
Cimarosa: Il sacrificio d’Abramo: "Chi per pietà mi dice" - "Deh, parlate" (Sara) | Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 1 | 5B | 75 BPM | ||
Le Comte Ory / Act 1: "Ciel! - O terreur, ô peine extrê" | Gioachino Rossini, Stefania Bonfadelli, Marie-Ange Todorovitch, Rosella Bevacqua, Marina de Liso, Juan Diego Flórez, Bruno Pratico, Alastair Miles, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | C Major | 4 | 8B | 115 BPM | ||
St. Matthew Passion, BWV 244, Pt. 1: No. 4, Da versammleten sich die Hohenpriester und Schriftgelehrten | Johann Sebastian Bach, Wiener Symphoniker, Herbert von Karajan, Walther Ludwig, Paul Schöffler | B♭ Major | 5 | 6B | 153 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Recitative and Arioso: Sous cette voute de feuillage ... (Under this foliage tent, Zelis ...) (Elzire, Don Sanche) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Messa di Gloria: XVII. Benedictus | Giacomo Puccini, Ludovic Tezier, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | B♭ Major | 1 | 6B | 73 BPM | ||
Lucia di Lammermoor, Act II: Lucia, fra poco a te verrà | Gaetano Donizetti, Didier Pieri, Stefano Antonucci, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D Major | 1 | 10B | 88 BPM | ||
8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra) | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM | ||
Mysliveček: Demetrio: "Mi parea del porto in seno" (Cleonice) | Josef Mysliveček, Emőke Baráth, Vaclav Luks | F Major | 2 | 7B | 134 BPM |
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