Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Ich spur' soeben nebeind um Felsenhoh' - Hier ist die Aussicht frei - Freudig empfangen wir -
Gustav Mahler, Barbara Kubiak, Izabela Klosinska, Marta Boberska, Jadwiga Rappe, Ewa Marciniec, Timothy Bentch, Wojtek Drabowicz, Piotr Nowacki, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit
Mahler, G.: Symphony No. 8, "Symphony of a Thousand"
1:08 April 18, 2006
BPM
87
Key
E♭ Minor
Camelot
2A

Embed

Share Link

Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Ich spur' soeben nebeind um Felsenhoh' - Hier ist die Aussicht frei - Freudig empfangen wir - - Gustav Mahler, Barbara Kubiak, Izabela Klosinska, Marta Boberska, Jadwiga Rappe, Ewa Marciniec, Timothy Bentch, Wojtek Drabowicz, Piotr Nowacki, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit Information

Acousticness
99%
Danceability
18%
Energy
18%
Instrumentalness
93%
Liveness
67%
Loudness
65%
Speechiness
3%
Valence
29%
Popularity
Loudness
-20.756 dB

Summary

Gustav Mahler, Barbara Kubiak, Izabela Klosinska, Marta Boberska, Jadwiga Rappe, Ewa Marciniec, Timothy Bentch, Wojtek Drabowicz, Piotr Nowacki, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit's 'Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Ich spur' soeben nebeind um Felsenhoh' - Hier ist die Aussicht frei - Freudig empfangen wir -' came out on April 18, 2006. With Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Ich spur' soeben nebeind um Felsenhoh' - Hier ist die Aussicht frei - Freudig empfangen wir - being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gustav Mahler, Warsaw Boys Choir, Antoni Wit's "Mahler, G.: Symphony No. 8, "Symphony of a Thousand"" album is number 9 out of 26. Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Ich spur' soeben nebeind um Felsenhoh' - Hier ist die Aussicht frei - Freudig empfangen wir - is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Ich spur' soeben nebeind um Felsenhoh' - Hier ist die Aussicht frei - Freudig empfangen wir - BPM

We consider the tempo marking of Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Ich spur' soeben nebeind um Felsenhoh' - Hier ist die Aussicht frei - Freudig empfangen wir - by Gustav Mahler, Barbara Kubiak, Izabela Klosinska, Marta Boberska, Jadwiga Rappe, Ewa Marciniec, Timothy Bentch, Wojtek Drabowicz, Piotr Nowacki, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Ich spur' soeben nebeind um Felsenhoh' - Hier ist die Aussicht frei - Freudig empfangen wir - Key

This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Danse Sacrée et Danse Profane, L. 103: II. Danse Profane by Claude Debussy, Nieuw Sinfonietta Amsterdam, Ernitine StoopDanse Sacrée et Danse Profane, L. 103: II. Danse ProfaneClaude Debussy, Nieuw Sinfonietta Amsterdam, Ernitine StoopA Major011B73 BPM
Rückert-Lieder: Ich bin der Welt abhanden gekommen by Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre BoulezRückert-Lieder: Ich bin der Welt abhanden gekommenGustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre BoulezF Major07B169 BPM
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato - by Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoPiano Concerto No. 1 in C Minor, Op. 35: III. Moderato -Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoA♭ Major14B149 BPM
Bolt, Op. 27a (Ballet Suite No. 5): V. Intermezzo by Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyBolt, Op. 27a (Ballet Suite No. 5): V. IntermezzoDmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyA♭ Major04B65 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) by Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsHaydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten)Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsC Major18B68 BPM
Das Paradies und die Peri, Op. 50, Erster Teil: No. 8 Weh, weh, er fehlte das Ziel by Robert Schumann, London Symphony Orchestra, London Symphony Chorus, Sir Simon Rattle, Simon HalseyDas Paradies und die Peri, Op. 50, Erster Teil: No. 8 Weh, weh, er fehlte das ZielRobert Schumann, London Symphony Orchestra, London Symphony Chorus, Sir Simon Rattle, Simon HalseyB Minor010A74 BPM
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento by Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard BernsteinPiano Concerto No. 1 in C Minor, Op. 35: II. LentoDmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard BernsteinG Major29B124 BPM
Clarinet Concerto in C Minor, Op. 31: I. Allegro vigoroso by Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard GriffithsClarinet Concerto in C Minor, Op. 31: I. Allegro vigorosoGerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard GriffithsA♭ Major14B79 BPM
Pictures At An Exhibition: The Market-place At Limoges by Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria GiuliniPictures At An Exhibition: The Market-place At LimogesModest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria GiuliniE♭ Major35B106 BPM
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto by Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John BarbirolliElgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro moltoEdward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John BarbirolliG Major29B87 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7030761241912842

End: 0.7069575786590576